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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230515T235900
DTEND;TZID=America/New_York:20230515T235900
DTSTAMP:20260521T225948
CREATED:20220423T135024Z
LAST-MODIFIED:20230319T205437Z
UID:10000052-1684195140-1684195140@emfinstitute.org
SUMMARY:Call for Submissions – Radio – A Space for Sonic Art
DESCRIPTION:ORGANISED SOUND \nCall for Submissions – Volume 29\, Number 1 \nIssue thematic title: “Radio – A Space for Sonic Art” \nDate of Publication: April 2024 \nPublishers: Cambridge University Press \nIssue co-ordinator: Michal Rataj (michal.rataj@hamu.cz) \nDeadline for submission: 15 May 2023 \n\n		\n			Call for Submissions – Radio – A Space for Sonic Art\n				\n				May 15\, 2023 -608 Pleasant Street\n			\n	\n	New Bedford\,\n\n	MA\n\n	02740\n\n	United States\n				\n			\n			\n				Submission Deadline Passed\n				\n			\n			\n				Find out more\n			\n		\n\nBackground: \nSince the beginning of the 20th century radio as a medium has built all kinds of synapses in societies\, cultural practices and art discourses. Despite the fact that it was expected to be overshadowed by the rise of television\, it has continued to challenge norms within a wide variety of creativity across art disciplines. The internet has been questioning the position of radio again\, yet it is still radio as sound medium that provokes sonic imagination from surprising creative angles\, which do not only emerge from within public service environments. \nAcross the history of the radio medium we not only approach fascination with bi-directional communication\, but also an unprecedented subversive emphasis on aural approaches despite the continuously increasing visuality of the past century. Along with the history of radio we have been witnessing the rise of new studio technologies and distribution strategies\, which have not only influenced radical change regarding the listening experience\, but have also directly influenced the way artists make the art of sound (let’s call it music). New technologies and instruments have emerged from inside radio studios in order to reveal completely new timbral and spatial experiences of the work of composers\, poets\, theatre and film makers\, as well as visual artists. Listeners are part of a democratic “listening space for all” (Klaus Schöning 1997)\, while any distant spaces become part of the new radio space (F. T. Marinetti & Pino Masnata 1933). \nAlready at the beginning of public radio we can identify how differently traditional acoustic content had to be approached when being picked up by microphones inside the radio studio (Kurt Weill 1975). This directly influenced not only how new music started to be recorded but also what kinds of new sonic creativity were about to emerge\, including musique concrète\, Hörspiel\, sound poetry\, sound film\, soundscape and radio opera\, among many others. \nRadio as medium in contemporary art practice has developed from its primary purpose of sound distribution into a variety of creative and social strategies\, where sound has turned out to be the principal common denominator across creative disciplines\, social communities and cultural regions. At the threshold of the second quarter of the 21st century we are questioning the role of radio inside an intermedia discourse with respect to its history\, subversive social potential\, imaginative potential and audio creativity\, as well as its power to build bridges across communities of artists and listeners. \nThis issue of Organised Sound will be the first dedicated to sonic exploration by way of the radio medium over the decades\, as well as its future potential. \n\nTopics for investigation might include:\n• Historical aspects of radio with respect to the current intermedia scene\n• Creative and social potential of audio creativity\n• Radio potential challenged by the internet\n• Audio creativity challenging mainstream radio content\n• Approaches of public service radio stations to innovative audio content\n• Independent radio initiatives as cultural and social subversion\n• The radio as musical instrument\n• Radiophony as compositional strategy\n• Visual aspects of radiophonic creation\n• Aesthetic aspects of making for radio\n• Radio making as politicsThis call is open to all\, and we wish particularly to encourage submissions from often under-represented groups in these fora\, and also creatively and collaboratively-produced articles.Furthermore\, as always\, submissions unrelated to the theme but relevant to the journal’s areas of focus are always welcome.\n\nReferences \n• Marinetti\, F. T. & Masnata\, P. 1991. La Radia (1933). In  D. Kahn & G. Whitehead (eds.) Wireles Imagination. Sound\, radio and the avant-garde. Cambridge MA: MIT Press\, 266 – 268.\n• Schöning\, K. 1997. Klangreise – Sound Journey. Studio Akustische Kunst. 155 Werke 1968 – 1997. Köln: WDR.\n• Weill\, K. 1975. Der Rundfunk und die Umschichtung des Musiklebens (1926). In: Weill\, K. Ausgewählte Schriften. Frankfurt am Main: Suhrkamp Taschenbuch\, 285. \n\n\nSUBMISSION DEADLINE: 15 May 2023 \nSUBMISSION FORMAT: Notes for Contributors including how to submit on Scholar One and further details can be obtained from the inside back cover of published issues of Organised Sound or at the following url:\nhttps://www.cambridge.org/core/journals/organised-sound/information/instructions-contributors (and download the pdf)General queries should be sent to:\nos@dmu.ac.uk\, not to the guest editor.Hard copy of articles and images and other material (e.g.\, sound and video files\, etc. – normally max. 15’ sound files or 8’ movie files)\, both only when requested\, should be submitted to: \nProf. Leigh Landy\nOrganised Sound\nClephan Building\nDe Montfort University\nLeicester LE1 9BH\, UK. \nAccepted articles will be published online via FirstView after copy editing prior to the paper version of the journal’s publication. \n\nEditor: Leigh Landy; Associate Editor: James Andean\nFounding Editors: Ross Kirk\, Tony Myatt and Richard Orton†\nRegional Editors: Ricardo Dal Farra\, Jøran Rudi\, Margaret Schedel\, Barry Truax\, Ian Whalley\, David Worrall\, Lonce Wyse\nInternational Editorial Board: Marc Battier\, Manuella Blackburn\, Alessandro Cipriani\, Simon Emmerson\, Kenneth Fields\, Rajmil Fischman\, Eduardo Miranda\, Rosemary Mountain\, Garth Paine\, Mary Simoni\, Martin Supper\, Daniel Teruggi
URL:https://emfinstitute.org/event/call-for-submissions-radio-a-space-for-sonic-art/
LOCATION:MA
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/04/ISEA2023-e1650740881215.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230505
DTEND;VALUE=DATE:20230506
DTSTAMP:20260521T225948
CREATED:20230319T195807Z
LAST-MODIFIED:20230319T201816Z
UID:10001449-1683244800-1683331199@emfinstitute.org
SUMMARY:ICMC 2023 - Call for Submissions
DESCRIPTION:ICMC 2023 will be held at the School of Music\, The Chinese University of Hong Kong\, Shenzhen (China)\, October 15-20\, 2023 \nICMC 2023 invites submissions of music works\, papers\, installations and demos from the worldwide composers and musicians. This conference will be presented in hybrid format\, which means all the sessions will be presented online and in-person. There are no submission fees for all the categories. \nImportant Dates\nSUBMISSION DEADLINE: MAY 5\, 2023 \n\n		\n			ICMC 2023 - Call for Submissions\n				\n				May 5\, 2023 -School of Music\n	\n		\n		Shenzhen\,\n\n\n\n	China\n				\n			\n			\n				Submission Deadline Passed\n				\n			\n			\n				Find out more\n			\n		\nSELECTED WORKS ANNOUNCEMENT: JUNE 28 – 30\, 2023 \nPROGRAM ANNOUNCEMENT: JULY 28\, 2023 \nICMC “SOUND OF CHANGES” CONFERENCE: OCTOBER 15-20\, 2023\n \nHere is the website for preliminary information and submission rules.\nhttp://icmc2023.org.cn/_pc_/ \nInternational Computer Music Conference (ICMC) is the largest and most important international academic conference in the field of computer music. It is held annually in different countries around the world\, and it has been held for 47 years since 1974. As an innovative academic platform\, which integrates music\, art\, culture\, science\, technology\, and other disciplines\, the ICMC has received extensive attention in the music and technology community and music industry.
URL:https://emfinstitute.org/event/icmc-2023-the-sound-of-changes-2/
LOCATION:The Chinese University of Hong Kong\, School of Music\, Shenzhen\, China
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/03/ICMC-2023-Conf.png
ORGANIZER;CN="ICMA - International Computer Music Association":MAILTO:icma@umich.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230413
DTEND;VALUE=DATE:20230605
DTSTAMP:20260521T225948
CREATED:20230403T205251Z
LAST-MODIFIED:20230403T205417Z
UID:10001452-1681344000-1685923199@emfinstitute.org
SUMMARY:Sound in Space\, Sound in Place
DESCRIPTION:Sound in Space\, Sound in Place\, a survey of contemporary sound art\, foregrounds sound and listening as powerful shapers of everyday experience and draws attention to sound’s unique properties as an artistic medium. \nCall for Sounds\nThe New Bedford Art Museum invites New Bedford residents to submit short recordings of the sounds that make up New Bedford’s unique “soundscape.” What are the sounds that make New Bedford familiar—like home? What sounds anchor you in place? What sounds would you miss if they suddenly went silent? We want to hear what you hear! NBAM will incorporate a selection of these sounds into an exhibition planned for April 2023\, as well as an interactive online map—scheduled to launch at the same time.  \nSpecial Discussion\nApril 14\, 2023 6:00 – 7:30 pm\nExploration of Sound Spaces – A Survey\nJohn Driscoll and Phil Edelstein of Composers Inside Electronics will present views of a number of works that they have collaborated on over a 50-year period.
URL:https://emfinstitute.org/event/sound-in-space-sound-in-place-2/
LOCATION:New Bedford Art Museum/ArtWorks!\, 608 Pleasant Street\, New Bedford\, MA\, 02740\, United States
CATEGORIES:Call for Submissions,Concert,Installation
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2023/04/CF-Horn-Wall-1000x667-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230410T235900
DTEND;TZID=America/New_York:20230410T235900
DTSTAMP:20260521T225948
CREATED:20220315T204828Z
LAST-MODIFIED:20230319T204040Z
UID:10000074-1681171140-1681171140@emfinstitute.org
SUMMARY:The 2023 Salvatore Martirano Memorial Composition Award
DESCRIPTION:Deadline: April 10\, 2023 11:59PM CST (23:59 GMT-0600). \nThe University of Illinois School of Music and Global Crossroads Living-Learning Community announce the 27th Annual Salvatore Martirano Memorial Composition Award. \nEligibility: Any composer\, regardless of age or nationality is eligible. Previous winners\, as well as faculty and currently enrolled students at the University of Illinois are ineligible for the award. \nAwards: First Prize cash award of $1000 and second prize cash award of $500 plus performances by the Illinois Modern Ensemble in the fall of 2023 on the 27th Annual Martirano Award Concert on the campus of the University of Illinois. Additional awards and performances may be given at the discretion of the judges \nJudges: A panel of judges consisting of international composers and University of Illinois music composition faculty members will select the winning compositions. \nEntries must be submitted and paid for online by Monday\, April 10\, 2023 11:59PM CST (23:59 GMT-0600).\n\n		\n			The 2023 Salvatore Martirano Memorial Composition Award\n				\n				April 10\, 2023 -608 Pleasant Street\n			\n	\n	New Bedford\,\n\n	MA\n\n	02740\n\n	United States\n				\n			\n			\n				Submission Deadline Passed\n				\n			\n			\n				Find out more\n			\n		\nDETAILS \nAbout Sal Martirano\nMartirano was among the very first composers to use and invent new computer technology for composition. He created two electronic music systems\, the first being the Sal-Mar Construction and later the YahaSALmaMac. The Sal-Mar Construction was called “the world’s first composing machine” by the Science Digest. Composer Joel Chadabe noted that “The Sal-Mar Construction is a historically important musical event and a stunning and classical display of individual American invention. \nMartirano’s best-known composition is “L’s G.A.” (1967) for gassed-masked politico\, helium bomb\, three 16mm movie projectors and 2 channel tape recorder. \nhttps://music.illinois.edu/about-salvatore-martirano
URL:https://emfinstitute.org/event/the-2023-salvatore-martirano-memorial-composition-award-2/
LOCATION:MA
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/11/MARTIRANO-Sal_rotate-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230131
DTEND;VALUE=DATE:20230201
DTSTAMP:20260521T225948
CREATED:20230126T223601Z
LAST-MODIFIED:20230126T223601Z
UID:10000106-1675123200-1675209599@emfinstitute.org
SUMMARY:2023 Composers Conference — Call for Submissions
DESCRIPTION:2023 Composers Conference\nCall for Submissions \nDeadline:2023-01-31\nFree To ALL composers \nThe Composers Conference invites composers to submit TWO works for our 2023 Guest Composers Zeena Parkins and Michelle Lou to select up to ten Fromm Foundation Composer Fellows for the 2023 Composers Conference. \nThe Conference will take place at Avaloch Farm Music Institute\, July 23-August 6\, 2023 \nDetails: https://www.newmusicengine.org/categories/2023-Composers-Conference/index.html
URL:https://emfinstitute.org/event/2023-composers-conference/
LOCATION:MA
CATEGORIES:Call for Submissions,Conference
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/08/TucsonAZ-NMElogo.png
ORGANIZER;CN="Fromm Foundation":MAILTO:https://www.composersconference.org/contact-us
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230101
DTEND;VALUE=DATE:20230102
DTSTAMP:20260521T225948
CREATED:20221124T165403Z
LAST-MODIFIED:20221124T174606Z
UID:10000066-1672531200-1672617599@emfinstitute.org
SUMMARY:Greece: Iannis Xenakis International Electronic Music Competition
DESCRIPTION:4th International Competition of Electronic Music Iannis Xenakis \nThe competition is anonymous and open to composers of any nationality and age\, each of whom may submit only one work. \nhttp://xenakis.web.auth.gr/rules/ \nSubmission Deadline: January 1\, 2023 \nThe entry fee for participation is 15€.
URL:https://emfinstitute.org/event/iannis-xenakis-international-electronic-music-competition/
LOCATION:MA
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/11/Xenakis-Competition-cropped-03-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221208
DTEND;VALUE=DATE:20230207
DTSTAMP:20260521T225948
CREATED:20221208T161009Z
LAST-MODIFIED:20230107T192120Z
UID:10000062-1670457600-1675727999@emfinstitute.org
SUMMARY:SPAIN: MADATAC 12 OPEN CALL
DESCRIPTION:Deadline: February 6\, 2023\n\nAn open call for the selection of works for the 12th edition of the biennial festival of new digital media art\, MADATAC\, International Festival of Audio-Visual & New Media Art\, which will take place at the Teatros del Canal in Madrid\, Spain\, from May 2 to 14\, 2023.\n\nThe deadline to apply is February 6\, 2023.\nThe Festival is to take place in Madrid\, Spain\, April 2023.\n\nDownload the entry guidelines and the registration form in Spanish\, English and Ukrainian: https://madatac.es/madatac-xii-call.
URL:https://emfinstitute.org/event/spain-madatac-12-open-call/
LOCATION:MA
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/12/MADATAC12.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221101
DTEND;VALUE=DATE:20221102
DTSTAMP:20260521T225948
CREATED:20221025T174329Z
LAST-MODIFIED:20221122T190547Z
UID:10000014-1667260800-1667347199@emfinstitute.org
SUMMARY:USA: HEAR NOW MUSIC FESTIVAL
DESCRIPTION:Open Call to Submit Works\nDeadline: November 1\, 2022\nFestival Dates: April 13\, 14\, 15\,16\, 2023 \nOpen to all Los Angeles area-based composers. If you are writing innovative\, contemporary\, classical concert music\, and you live and work primarily in Los Angeles. \nLearn more here: http://www.hearnowmusicfestival.com/2023-call-for-scores/\nQuestions? Please contact hearnowcomposersfestival@gmail.com
URL:https://emfinstitute.org/event/hear-now-music-festival/
LOCATION:MA
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/10/hear-now-music-festival.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20221030T125900
DTEND;TZID=Europe/Helsinki:20221030T125900
DTSTAMP:20260521T225948
CREATED:20221018T195234Z
LAST-MODIFIED:20221018T195234Z
UID:10000013-1667134740-1667134740@emfinstitute.org
SUMMARY:Lund Contemporary 2023 – Call for music
DESCRIPTION:Odeum Music Centre at Lund University is looking for compositions that include video\, to be performed within the Lund Contemporary 2023 festival in Lund\, Sweden. \nLund Contemporary is a festival for contemporary art music organized by Odeum in collaboration with local and regional ensembles and institutions. The festival has previously taken place in 2017\, 2019\, and 2021. \nFor more information on Lund Contemporary\, please have a look at the festival homepage www.odeum.lu.se/LC (in Swedish\, with a short summary in English). \nLund Contemporary 2023 will take place on 9-12 February 2023. \nRequirements and conditions\n\nThe call is open to composers of any nationality\, with no restrictions whatsoever.\nDeadline: October 30th\, 23:59 (CET). Applications submitted after that will not be considered.\nEach composer may submit more than one composition. In this case you have to make a new application for each work.\nThe application must be in English.\nThe composition must include video. The video will be projected on stage in front of the audience.\nThe sound can be purely electronic\, purely instrumental or for instrument(s) with electronics.\nAllowed instruments are flute\, clarinet/bass clarinet\, violin and piano. Please limit to two instruments maximum.\nTechnical restrictions: The video and electronic sounds must be possible to realise from a computer and in a stereo setup.\nMaximum duration: 15 minutes.\nBy submitting\, the author accepts to provide the performance materials at no further cost for the organiser.\nWhen filling the submission form\, you will be asked to insert your personal data and information about the piece you are submitting\, including links to the recording and to the score if relevant.\nPlease note that we only accept streamed video (Youtube\, Vimeo\, etc.) for the recording and only direct links to PDF files for the score (no WeTransfer or other time-limited services).\nIn case of selection\, you will need to send us all files needed for realizing the performance.\n\nThe results of the selection process will be published in mid-December 2022. \nApply here: https://www.odeum.lu.se/en/form/lund-contemporary-2023-call-music
URL:https://emfinstitute.org/event/lund-contemporary-2023-call-for-music/
LOCATION:MA
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/10/LC-grafik-2023-01-till-hemsida.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220831T070000
DTEND;TZID=America/New_York:20220831T070000
DTSTAMP:20260521T225948
CREATED:20220527T162414Z
LAST-MODIFIED:20220630T183853Z
UID:10000044-1661929200-1661929200@emfinstitute.org
SUMMARY:ELECTROACOUSTIC COMPOSITION COMPETITION MÚSICA VIVA 2022
DESCRIPTION:Submission period: Fri May 27 at 04AM UTC\nEnd of submission period: Wed Aug 31 at 12PM UTC (7AM ET)\nResults date: Fri Nov 18 at 09PM UTC \n23rd International Electroacoustic Composition Competition Música Viva 2022 \nJury of the 2022 Jonty Harrison\, Kees Tazelaar\, Miguel Azguime\nDeadline August 31\, 2022. \nThe works submitted for the competition shall be electroacoustic pieces\, composed and recorded in studio. They are to be projected only by loudspeakers in concert\, without any intervention of live performers besides the sound projectionist. They may include a maximum of eight channels and should have a duration between five and fifteen minutes. \nThe competition is open to composers of any nationality and age\, each of whom may submit only one work\, which has not been commercially published or awarded a prize in any other national or international competition. Any previous Musica Viva prize-winning composer will not be allowed to submit a work during the two years following the prize award. \nThe deadline for submissions is 12 pm GMT time\, August 31\, 2022.\nApplications sent after the deadline will not be considered valid. \nPrize: the jury will award 1 work with a 500€ prize and the work will be performed in concert by the Miso Music Loudspeakers Orchestra at the 2022 edition of the Musica Viva Festival.
URL:https://emfinstitute.org/event/electroacoustic-composition-competition-musica-viva-2022/
LOCATION:MA
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/05/MÚSICA-VIVA-competition.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220831
DTEND;VALUE=DATE:20220901
DTSTAMP:20260521T225948
CREATED:20220701T234111Z
LAST-MODIFIED:20220701T234111Z
UID:10000030-1661904000-1661990399@emfinstitute.org
SUMMARY:Rethinking: Xenakis Competition
DESCRIPTION:“Composition for Ensemble”\nCommemorating the 100th anniversary since the birth of the prominent Greek composer Iannis Xenakis\, the Greek Composers Union has organized an International Competition. \nThe aim of the Competition is to encourage composers from all over the world to create new pieces for ensemble and to promote contemporary creation! \nComposers from around the world\, of any nationality and age\, are invited to write chamber music works reflecting on the achievements of the great creator. \nCompositions that will be submitted will be judged by an international committee\, which will choose three works for the three prizes. Celebrating the 100th anniversary since the birth of Iannis Xenakis\, the Friends of Music Society offers the prizes for this international competition. \nThe Ionian Ensemble will perform the three award-winning pieces at a special concert on the 3rd of October at Megaron – The Athens Concert Hall. \n\n• The competition is open to composers of all nationalities with no age limit and without registration fees. \n• The submitted works must not have been previously published\, performed\, broadcasted or awarded at a different competition. \n• The contestants will submit one work for ensemble that must last between 8 and 10 minutes. The duration of the piece must be written on the score. \n• The use of electronics or solo instruments is not permitted. \nThe submission deadline is 31 August 2022\, and in order to be considered as final\, there must be an electronic submission. \n\nMore information at Rethinking:Xenakis 
URL:https://emfinstitute.org/event/rethinking-xenakis-competition/
LOCATION:MA
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/07/Rethinking-Xenakis.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220815
DTEND;VALUE=DATE:20220916
DTSTAMP:20260521T225948
CREATED:20220826T215455Z
LAST-MODIFIED:20220827T231001Z
UID:10000003-1660521600-1663286399@emfinstitute.org
SUMMARY:FOLLOW MY SCORE 2022 FALL SEASON
DESCRIPTION:We are pleased to announce Follow My Score 2022! Fms22 is an effort to promote and curate many works by living composers. Approximately 80 works will be selected by the Score Follower jury and curators. Selected works will be made into “score follower videos” by our production team\, and uploaded onto our YouTube channels. We hold this call semiannually\, once in the Fall (Aug 15—Sep 15\, with results by Nov 15)\, and once in the Spring (Feb 15—Mar 15\, with results by May 15). If you want to make a score video in the meantime\, you can build one in your browser now: scorefol.io. This project is not a commissioning contest.
URL:https://emfinstitute.org/event/follow-my-score-2022-fall-season/
LOCATION:YouTube
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/08/scorefollowerlogo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220801T105900
DTEND;TZID=America/New_York:20220801T225900
DTSTAMP:20260521T225948
CREATED:20220527T164558Z
LAST-MODIFIED:20220630T183907Z
UID:10000022-1659351540-1659394740@emfinstitute.org
SUMMARY:2nd Ise-Shima International Composition Competition
DESCRIPTION:Call for Scores \nDeadline: August 1\, 2022\, 23:59 JP time (10:59AM ET) \nSumio Kobayashi​\, head of jury – https://www.sumiokobayashi.com/ \n• Full score (pdf format) and/or recording composed solely by an applicant must be submitted via application form (https://en.iseshimaart.com/international-composition-competiti). \n• Application Fee – A non-refundable payment of 3\,000 Yen (approximately $30 US Dollars) can be paid via following page after fulfilling the form (credit card or paypal): https://en.iseshimaart.com/international-composition-competiti \n• The score has to be sent from the form. \n• All important messages will be sent by info at iseshimaart.com. Confirm the e-mail setting to receive the messages from this e-mail address. \n• Depending on a situation\, we may ask winners to send us a copy of ID. \n• Full name of applicants must be written correctly on the application form because the name will be used on a certificate. Teacher names and parent names\, relative names etc. must not be written on the application form. \nGeneral rules \n• Instrumentation and duration are free\, from a solo piece to orchestra. \n• An electro acoustic work is acceptable.  \n• Full score must be uploaded from the application form: https://en.iseshimaart.com/international-composition-competiti \n• The score\, in pdf format\, must contain full name of the composer. \n• The submitted work may be already performed or awarded. \n• Composers may submit more than one work\, but must complete a separate entry form and fee for each. \n• A recording of the submitted work (possibly movie recording or audio recording) must be submitted by links in Soundcloud / Youtube / Youku / Vimeo. At first\, please upload the recording on one of these websites.
URL:https://emfinstitute.org/event/2nd-ise-shima-international-composition-competition/
LOCATION:MA
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/05/Ise-Shima-International-Composition-Competition.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220731
DTEND;VALUE=DATE:20220801
DTSTAMP:20260521T225948
CREATED:20220701T234737Z
LAST-MODIFIED:20220701T235115Z
UID:10000031-1659225600-1659311999@emfinstitute.org
SUMMARY:First International UPISketch Competition
DESCRIPTION:Some fifty years ago\, Iannis Xenakis and his team at the CEMAMu (Centre d’Études de Mathématique et Automatique Musicales) invented the UPIC\, a computer tool for composing music with the help of drawing. Anyone\, with or without a musical background\, could compose using this very large digitizing table and its associated system. \nThe CIX decided to pursue this initial goal of opening up creativity to all audiences and has developed a new application/software called UPISketch (see here for free download). \nXenakis’s centenary is the perfect occasion for us to launch this first UPISketch International Competition\, with a total amount of 5000 € in prizes. \nGENERAL CONDITIONS \nThe competition is open to all nationalities and all ages. \nThe amateur category is reserved for non-professional musicians. \nCATEGORIES \n\nA : Amateur – UPISketch solo\nB : Professional – UPISketch solo\nC : Professional – UPISketch and mixed techniques\n\nA & B (“UPISketch Solo”): All of the material should be generated by UPISketch\, be from one or several projects using the app. However\, the final product can be edited in a digital audio workstation (DAW) and processed through reverberation and/or filtering end and/or dynamics. \nC: “UPISketch & Mixed Techniques”: The large majority of the sound material (in terms of content and duration) of the submitted work must be generated by UPISketch. It can be processed by any means. The final product could use other sources as well\, but one must be able to retrace the UPISketch material by comparing the provided UPISketch-exported sounds with the piece itself. \nNota Bene: a VST-host version of UPISketch is in the making. With this version\, any plugin will be usable for the current competition\, as long as it is installed in UPISketch itself. \nB & C: It is mandatory to provide the screen shots and exported sounds from the original UPISketch projects that were used\, along with the piece. Also\, spatialization can be added to expand stereo setups. In such cases\, please send us a multi-track audio file. \nOnly one work per applicant may be submitted. \nCollective works by more than one composer will be considered one submission. If a collective work is submitted\, none of the composers participating at the collective is allowed to submit an individual work. \nSCHEDULE \n\nOpening of submissions: March 8\, 2022\nDeadline: July 31\, 2022\nPublication of Results: September 15\, 2022\n\nA distinguished international jury will anonymously review all submissions. The jury’s decisions will be final. Names of the jury members will be posted at the same time as the results on our website and related social media. \nNo member of the jury may participate in the Competition. In addition to the three prizes in each category the jury has the right to award Honorary Mentions for works they consider of high artistic value. \nConcerts including awarded works will take place between September 28 and the end of 2022\, in France\, Greece\, and Japan (and perhaps elsewhere). \nDURATION \nThe duration of submitted work should be more than 3 minutes\, and preferably less than 20 minutes. \nSUBMISSION \nSubmission is free of charge and will consist of the following files/links emailed to upisketch@meta-xenakis.org: \n• your piece (audio file\, stereo or multitrack)\n• associated UPISketch screen captures and exported audio files from UPISketch projects (for Categories B & C)\n• rider containing diffusion setup\, technical requirements\, images\, program notes\, etc.\n• the completed and signed registration form \nPRIZES \nThree prizes will be given for each category: \n1st Prize 2nd Prize 3rd Prize \nA 500€ 300€ 200€ \nB 1000€ 600€ 400€ \nC 1000€ 600€ 400€ \nNota Bene: you are free to use any available version of UPISketch\, but please note that the main platforms for the upcoming updates and version will be OSX and Windows. \nTo be informed when any new versions are released\, please check for updates on the CIX website and on our Facebook page. \nVideo tutorials are available in the application itself\, or online at https://www.youtube.com/playlist?list=PLvYFZ0B8tIk-1ch53Cb2LMTAA3Uoc6z1Y
URL:https://emfinstitute.org/event/first-international-upisketch-competition/
LOCATION:MA
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/07/Logo-M.X.-13-06-2021-bis-600.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220716T055900
DTEND;TZID=America/New_York:20220716T055900
DTSTAMP:20260521T225948
CREATED:20220527T170146Z
LAST-MODIFIED:20220630T183918Z
UID:10000037-1657951140-1657951140@emfinstitute.org
SUMMARY:Mondi Senza Frontiere - Worlds Without Borders
DESCRIPTION:Call for Scores \nSubmission period\nWed May 11 at 04AM UTC \nEnd of submission period\nSat Jul 16 at 10:59AM UTC (5:59AM ET) \nResults date\nWed Aug 31 at 04PM UTC \n“Piazza del Mondo” is very excited to announce its first call for scores\, in order to focus the attention on essential themes and values such as pace\, solidarity\, dialog and democracy. \nThe recent events stress the need to raise awareness towards altruism\, solidarity and comprehension of your neighbor. \nKey concepts that will stimulate your creativity: \nPace – War – Net – Solidarity – Dialog – Democracy – Local – Global – Community – Individual – Otherness \nGuidelines for submission: \n\nApplicants may be of any nationality and age.\nApplicants may submit only one work.\nSubmitted works must not exceed 15 minutes length.\n\nDeadline: July 16\, 2022 (CET 11.59am) \nFee: The call is completely free of charge. \nAgorArt Ensemble: \n\nDavide Baldo (flute in C\, flute in G\, bass flute in C\, piccolo);\nEmanuele Dalmaso (Bb clarinet\, A clarinet\, Eb clarinet\, bass clarinet\, soprano sax\, alto sax\, tenor sax\, baritone sax);\nMattia Grott (Electronics).\n\nWe accept pieces written for two or three performers (any combination is allowed\, live electronics is included). \nElectronics (Stereo) can be live or fixed media. In addition to other materials\, a detailed description of technical requirements must be provided with the application. We can run Max/MSP or Pure Data patches and Ableton sessions. \nAll winners will receive a performance at “Resistance and Resilience. Workshops and Performances”\, that will take place in late 2021 in Trentino\, Italy. \nAll submissions should be sent via email to: call@piazzadelmondo.it with the subject heading “MONDI SENZA FRONTIERE / WORLDS WITHOUT BORDERS – Call For Scores – Your Name” and should include a link (Dropbox\, Google Drive\, WeTransfer\, etc) to the following files: \n\nPDF score and program notes;\nMP3 recording or MIDI realizations (not mandatory);\nCurriculum vitae\n\nAll parts must be sent within a week after the selection \nFor more information regarding the call for scores\, please send an email to: call@piazzadelmondo.it
URL:https://emfinstitute.org/event/1300/
LOCATION:MA
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/05/MondiSenzaFrontiere-WorldsWithoutBorders.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220605T225900
DTEND;TZID=America/New_York:20220605T225900
DTSTAMP:20260521T225948
CREATED:20220527T160652Z
LAST-MODIFIED:20220630T184201Z
UID:10000043-1654469940-1654469940@emfinstitute.org
SUMMARY:Call for Works - LOXOS
DESCRIPTION:LOXOS~ is thrilled to announce the new CALL for WORKS for MA/IN festival (2022 – South Italy).\nEnd of submission period\nSun Jun 5 at 10:59PM UTC\nResults date\nThu Jun 30 at 04PM UTC\nEntry or Course Fee\nEntry fee 25 \, free for Ukrainian applicants\nThe festival will take place between October and November 2022 in Lecce\, Matera and Potenza. \nTake a look to the past editions and videos at\nwww.mainfest.it + www.youtube.com/c/mainfestival \nAll authors and performers of any age and nationality can submit works in one of these categories: \n[A] Acousmatic ~ fixed media music. Multi-channel compositions are accepted. \n[B] Mixed Media ~ for instruments and electronics/ multimedia (fixed or live).This year the [B] category is focused on the Ensemble in residence: OERKNAL!\nIt is possible to submit works (already finished) using any combination of the following instruments:\ncello\, clarinets\, flutes\, viola/violin\, piano & keyboards (no harpsichord)\, percussion| + conductor.\nInstruments not included in the list above are available in any combination anyway. \n[C] AudioVisual ~ works with pre-prepared video and music. \n[D] LivePerformance/SoundArt ~ works that include electronics and other elements [for instance\, a piece with a new interface\, laptop\, performer and interactive live video\, real-time coding\, laptop improvisation etc]. Sound/Media Installation are allowed. \nThe selection panel consists of professional and renowned composers/artists; it will assign:\n* AWARDS of DISTINCTIONS | usually one per category | The jury reserves the right not to award all or any of prizes\, as well as to award ex-aequo prizes if it sees fit.
URL:https://emfinstitute.org/event/call-for-works-loxos/
LOCATION:MA
CATEGORIES:Call for Submissions,Festival
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/05/CALL-for-WORKS-MA-IN-festival.jpg
ORGANIZER;CN="LOXOSconcept APS":MAILTO:info.mainfest@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220601
DTEND;VALUE=DATE:20220602
DTSTAMP:20260521T225949
CREATED:20220306T203821Z
LAST-MODIFIED:20220523T161851Z
UID:10000057-1654041600-1654127999@emfinstitute.org
SUMMARY:LAST DAYS! Call for testimonies/tributes: In memoriam Joel Chadabe
DESCRIPTION:Joel Chadabe (1938-2021) was not only a pioneer in electronic music in his own right\, he was a major champion of others’ music as well\, with an inimitable entrepreneurial spirit. \n\n  \n\n\nPhoto: Carlo Carnevali (courtesy of the estate of Joel Chadabe) \nJoel was a close friend of Iannis Xenakis\, the two having first met in Berlin in 1964 as Ford Foundation Fellows\, and they always remained close. In 1997\, Joel released\, on his EMF (Electronic Music Foundation) label\, the first CD of Xenakis’s electronic music\, which became the best-selling disc in his catalogue. More recently\, Joel’s e-publishing company Intelligent Arts entered into an agreement with Xenakis’s historic publisher Pendragon Press to release updated e-versions of the Xenakis Series in print copy (ongoing). \nIn fact\, thanks to Joel’s tireless promotion\, through his programming of concerts and other events\, including after Xenakis’s death\, Xenakis’s reputation flourished\, especially in North America. Even on his own website\, Joel dedicated a whole chapter to Xenakis\, including several citations of personal conversations between the two: https://joelchadabe.net/xenakis/ \nJoel was also a founding member of the Xenakis Project of the Americas (XPA). \nAn Open Call for Testimonials and/or Tributes to Joel Chadabe\nTo honor Joel’s contributions\, XPA\, as a partner in the Meta—Xenakis consortium\, will dedicate a special session during its leg of the marathon Symposium (September 30\, 2022\, between 10 a.m. and 6 p.m. at the CUNY Graduate Center\, 365 Fifth Avenue\, New York City) to him. \nTherefore\, we are making an international Open Call for testimonials and/or tributes to Joel Chadabe. These can be photos\, videos\, recordings\, an improvisation\, a poem\, etc. honoring and remembering the man and musician who has touched so many of us. Because of our anticipation of a worldwide response\, we kindly request that each submission be under 3 minutes. Depending on the various media we will collect\, we will determine the most appropriate way of presenting this compilation/montage both in New York and on our website. \nDEADLINE FOR SUBMISSIONS: June 1\, 2022\nPlease submit to: joeltribute@meta-xenakis.org
URL:https://emfinstitute.org/event/call-for-testimonies-tributes-in-memoriam-joel-chadabe/
LOCATION:CUNY Graduate Center\, 365 Fifth Avenue\, New York\, NY\, 10016\, United States
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/03/joel-tributes-call.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220531
DTEND;VALUE=DATE:20220601
DTSTAMP:20260521T225949
CREATED:20220508T155905Z
LAST-MODIFIED:20220508T160752Z
UID:10000048-1653955200-1654041599@emfinstitute.org
SUMMARY:Call for Works from Young and/or Emerging Electroacoustic Artists
DESCRIPTION:Jeu de temps / Times Play 2022 (JTTP 2022) \nA broad\, multi-level project\, Jeu de temps / Times Play (JTTP) is an annual project aimed at promoting and celebrating new creative work by young and/or emerging electroacoustic artists from (or living in) Canada. \nJTTP 2022 is the 23rd edition of the project since the Canadian Electroacoustic Community (CEC) began coordinating it in 2000. \nFor any questions that have not been answered on this page or in the longer and more detailed explanation\, email the project administrators at jttp@sonus.ca. \nProject Schedule\nMay 31 — Deadline for submissions\nJune 1 – July 15 — Jury deliberations\nJuly 31 — Results announced to the participants\nSeptember — Results announced publicly \n 
URL:https://emfinstitute.org/event/call-for-works-from-young-and-or-emerging-electroacoustic-artists/
LOCATION:MA
CATEGORIES:Call for Submissions
ORGANIZER;CN="Jeu de temps / Times Play":MAILTO:jttp @ sonus.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220526
DTEND;VALUE=DATE:20220527
DTSTAMP:20260521T225949
CREATED:20220423T154454Z
LAST-MODIFIED:20220423T154454Z
UID:10000019-1653523200-1653609599@emfinstitute.org
SUMMARY:Call for proposals – 28th International Symposium on Electronic art\, ISEA2023
DESCRIPTION:Organised by Le Cube and EnsadLab\, the research laboratory of the cole des Arts Dcoratifs\, with the support of the French Ministry of Culture\, this major event on the world scene of digital arts\, creative industries and cultural innovation will take place in Paris from 16 to 21 May at the Forum des Images\, and throughout France during the spring of 2023\, on the theme of Symbiosis. \nWith 60 participating countries\, ISEA has established itself as a major event on the global scene of digital arts\, creative industries and cultural innovation. For its 28th edition in Paris in 2023\, ISEA2023 expects 2\,000 international creators\, researchers and innovators\, and more than 100\,000 spectators for the artistic programme. \nArtists\, researchers\, creators\, be part of the official programme by applying online now\, and take part in ISEA2023! \nTo apply\, you have until : \nArtistic programming: 26 May 2022 \nAcademic programming: 13 June 2022 \nFind all the details of this edition and the conditions of participation on the website of the call for applications: www.isea2023-proposals.org
URL:https://emfinstitute.org/event/call-for-proposals-28th-international-symposium-on-electronic-art-isea2023/
LOCATION:MA
CATEGORIES:Call for Submissions
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220501
DTEND;VALUE=DATE:20230101
DTSTAMP:20260521T225949
CREATED:20220508T155733Z
LAST-MODIFIED:20221102T230943Z
UID:10000047-1651363200-1672531199@emfinstitute.org
SUMMARY:Call for Submissions to eContact
DESCRIPTION:Published by the Canadian Electroacoustic Community (CEC) since 1998\, eContact! is an online journal dedicated to the exploration and promotion of the richly diverse discipline of electroacoustic practices. \nThis freely accessible and media-rich journal is published three times a year\, with submission deadlines falling on the 1st of the month prior to publication. \nCanadian Electroacoustic Community (CEC) provides electroacoustic artists of all generations\, backgrounds and interests with a range of interrelated avenues in which to plug into the Canadian and global communities\, thereby fostering mutual awareness and benefit between local\, national and international scenes. \nDETAILS: https://econtact.ca/call.html
URL:https://emfinstitute.org/event/call-for-contributions-to-econtact/
LOCATION:MA
CATEGORIES:Call for Submissions
ORGANIZER;CN="Canadian Electroacoustic Community (CEC)":MAILTO:info @ econtact.ca
END:VEVENT
END:VCALENDAR