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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220501
DTEND;VALUE=DATE:20230101
DTSTAMP:20260608T121249
CREATED:20220508T155733Z
LAST-MODIFIED:20221102T230943Z
UID:10000047-1651363200-1672531199@emfinstitute.org
SUMMARY:Call for Submissions to eContact
DESCRIPTION:Published by the Canadian Electroacoustic Community (CEC) since 1998\, eContact! is an online journal dedicated to the exploration and promotion of the richly diverse discipline of electroacoustic practices. \nThis freely accessible and media-rich journal is published three times a year\, with submission deadlines falling on the 1st of the month prior to publication. \nCanadian Electroacoustic Community (CEC) provides electroacoustic artists of all generations\, backgrounds and interests with a range of interrelated avenues in which to plug into the Canadian and global communities\, thereby fostering mutual awareness and benefit between local\, national and international scenes. \nDETAILS: https://econtact.ca/call.html
URL:https://emfinstitute.org/event/call-for-contributions-to-econtact/
LOCATION:NY
CATEGORIES:Call for Submissions
ORGANIZER;CN="Canadian Electroacoustic Community (CEC)":MAILTO:info @ econtact.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220528T110000
DTEND;TZID=America/New_York:20220807T170000
DTSTAMP:20260608T121249
CREATED:20220420T173628Z
LAST-MODIFIED:20221122T192210Z
UID:10000051-1653735600-1659891600@emfinstitute.org
SUMMARY:USA: Command and Control by Ivan Dama
DESCRIPTION:Command and Control is a project that explores the idea of playing a musical instrument with your eyes— using custom pupil-tracking software to move motors that would make an acoustic sound. \nLocation: The Art and Technology Program exhibition in Building 10a\, Nolan Park\, Governors Island \nOpen to the public from 11 am to 5 pm Weekends
URL:https://emfinstitute.org/event/command-and-control-by-ivan-dama/
LOCATION:The Art and Technology Program exhibition\, Building 10a\, Nolan Park\, Governors Island\, NY\, United States
CATEGORIES:Performance
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220531
DTEND;VALUE=DATE:20220601
DTSTAMP:20260608T121249
CREATED:20220508T155905Z
LAST-MODIFIED:20220508T160752Z
UID:10000048-1653955200-1654041599@emfinstitute.org
SUMMARY:Call for Works from Young and/or Emerging Electroacoustic Artists
DESCRIPTION:Jeu de temps / Times Play 2022 (JTTP 2022) \nA broad\, multi-level project\, Jeu de temps / Times Play (JTTP) is an annual project aimed at promoting and celebrating new creative work by young and/or emerging electroacoustic artists from (or living in) Canada. \nJTTP 2022 is the 23rd edition of the project since the Canadian Electroacoustic Community (CEC) began coordinating it in 2000. \nFor any questions that have not been answered on this page or in the longer and more detailed explanation\, email the project administrators at jttp@sonus.ca. \nProject Schedule\nMay 31 — Deadline for submissions\nJune 1 – July 15 — Jury deliberations\nJuly 31 — Results announced to the participants\nSeptember — Results announced publicly \n 
URL:https://emfinstitute.org/event/call-for-works-from-young-and-or-emerging-electroacoustic-artists/
LOCATION:NY
CATEGORIES:Call for Submissions
ORGANIZER;CN="Jeu de temps / Times Play":MAILTO:jttp @ sonus.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Athens:20220531T190000
DTEND;TZID=Europe/Athens:20220531T220000
DTSTAMP:20260608T121249
CREATED:20220426T225137Z
LAST-MODIFIED:20221122T191915Z
UID:10000045-1654023600-1654034400@emfinstitute.org
SUMMARY:USA: IANNIS XENAKIS AND ALGORITHMIC MUSIC
DESCRIPTION:LECTURE BY BILL MANARIS\, PH.D.\, PROFESSOR OF COMPUTER SCIENCE\, DIRECTOR OF COMPUTING IN THE ARTS\, COLLEGE OF CHARLESTON\, US \nThis talk will discuss some of Xenakis’s works in algorithmic and stochastic music\, such as Concrete PH\, Metastasis\, as well as the UPIC\, and speculate about the types of music he might have written if he had access to today’s modern technology of smartphones and computing devices. \nLecture’s language: Greek \nEvent takes place in Athens\, Greece. Register for free tickets: https://www.eventbrite.com/e/iannis-xenkis-and-algorithmic-music-tickets-297905512407
URL:https://emfinstitute.org/event/iannis-xenakis-and-algorithmic-music/
LOCATION:Music Library of Greece "Lilian Voudouri" of The Friends of Music Society\, Athens Concert Hall Vas. Sofias and Kokkali 1\, Athens\, Athens\, 11521\, Greece
CATEGORIES:Lecture
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/04/meta_xenakis_xanthoydakis_poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220601
DTEND;VALUE=DATE:20220602
DTSTAMP:20260608T121249
CREATED:20220306T203821Z
LAST-MODIFIED:20220523T161851Z
UID:10000057-1654041600-1654127999@emfinstitute.org
SUMMARY:LAST DAYS! Call for testimonies/tributes: In memoriam Joel Chadabe
DESCRIPTION:Joel Chadabe (1938-2021) was not only a pioneer in electronic music in his own right\, he was a major champion of others’ music as well\, with an inimitable entrepreneurial spirit. \n\n  \n\n\nPhoto: Carlo Carnevali (courtesy of the estate of Joel Chadabe) \nJoel was a close friend of Iannis Xenakis\, the two having first met in Berlin in 1964 as Ford Foundation Fellows\, and they always remained close. In 1997\, Joel released\, on his EMF (Electronic Music Foundation) label\, the first CD of Xenakis’s electronic music\, which became the best-selling disc in his catalogue. More recently\, Joel’s e-publishing company Intelligent Arts entered into an agreement with Xenakis’s historic publisher Pendragon Press to release updated e-versions of the Xenakis Series in print copy (ongoing). \nIn fact\, thanks to Joel’s tireless promotion\, through his programming of concerts and other events\, including after Xenakis’s death\, Xenakis’s reputation flourished\, especially in North America. Even on his own website\, Joel dedicated a whole chapter to Xenakis\, including several citations of personal conversations between the two: https://joelchadabe.net/xenakis/ \nJoel was also a founding member of the Xenakis Project of the Americas (XPA). \nAn Open Call for Testimonials and/or Tributes to Joel Chadabe\nTo honor Joel’s contributions\, XPA\, as a partner in the Meta—Xenakis consortium\, will dedicate a special session during its leg of the marathon Symposium (September 30\, 2022\, between 10 a.m. and 6 p.m. at the CUNY Graduate Center\, 365 Fifth Avenue\, New York City) to him. \nTherefore\, we are making an international Open Call for testimonials and/or tributes to Joel Chadabe. These can be photos\, videos\, recordings\, an improvisation\, a poem\, etc. honoring and remembering the man and musician who has touched so many of us. Because of our anticipation of a worldwide response\, we kindly request that each submission be under 3 minutes. Depending on the various media we will collect\, we will determine the most appropriate way of presenting this compilation/montage both in New York and on our website. \nDEADLINE FOR SUBMISSIONS: June 1\, 2022\nPlease submit to: joeltribute@meta-xenakis.org
URL:https://emfinstitute.org/event/call-for-testimonies-tributes-in-memoriam-joel-chadabe/
LOCATION:CUNY Graduate Center\, 365 Fifth Avenue\, New York\, NY\, 10016\, United States
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/03/joel-tributes-call.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220604T150000
DTEND;TZID=America/New_York:20220604T170000
DTSTAMP:20260608T121250
CREATED:20220602T174955Z
LAST-MODIFIED:20221122T191854Z
UID:10000039-1654354800-1654362000@emfinstitute.org
SUMMARY:USA: Iowa Composers Forum 2022 Summer Festival of New Music
DESCRIPTION:The Iowa Composers Forum Summer Festival of New Music returns to Decorah\, Iowa on June 3-5. The 2022 festival is titled “Music Now and In Person” and will present four concerts of new contemporary music by members of the forum at Luther College. All performances will be free and open to the public. \nConcert #2: Music for Electronics and Video – Saturday the 4th at 3PM. \nThe 2022 Summer Festival of New Music is supported by the Depot Outlet of Decorah\, the Marion E. Jerome Foundation\, and the Iowa Arts Council. \nICF promotes the creation and performance of new concert music of all styles through concerts\, competitions\, and community outreach. \n  \n 
URL:https://emfinstitute.org/event/iowa-composers-forum-2022-summer-festival-of-new-music/
LOCATION:Luther College Music Department\, Noble Recital Hall\, Decorah\, IA\, United States
CATEGORIES:Concert,Festival
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/06/ICF-poster-2022-summer-festival.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220605T225900
DTEND;TZID=America/New_York:20220605T225900
DTSTAMP:20260608T121250
CREATED:20220527T160652Z
LAST-MODIFIED:20220630T184201Z
UID:10000043-1654469940-1654469940@emfinstitute.org
SUMMARY:Call for Works - LOXOS
DESCRIPTION:LOXOS~ is thrilled to announce the new CALL for WORKS for MA/IN festival (2022 – South Italy).\nEnd of submission period\nSun Jun 5 at 10:59PM UTC\nResults date\nThu Jun 30 at 04PM UTC\nEntry or Course Fee\nEntry fee 25 \, free for Ukrainian applicants\nThe festival will take place between October and November 2022 in Lecce\, Matera and Potenza. \nTake a look to the past editions and videos at\nwww.mainfest.it + www.youtube.com/c/mainfestival \nAll authors and performers of any age and nationality can submit works in one of these categories: \n[A] Acousmatic ~ fixed media music. Multi-channel compositions are accepted. \n[B] Mixed Media ~ for instruments and electronics/ multimedia (fixed or live).This year the [B] category is focused on the Ensemble in residence: OERKNAL!\nIt is possible to submit works (already finished) using any combination of the following instruments:\ncello\, clarinets\, flutes\, viola/violin\, piano & keyboards (no harpsichord)\, percussion| + conductor.\nInstruments not included in the list above are available in any combination anyway. \n[C] AudioVisual ~ works with pre-prepared video and music. \n[D] LivePerformance/SoundArt ~ works that include electronics and other elements [for instance\, a piece with a new interface\, laptop\, performer and interactive live video\, real-time coding\, laptop improvisation etc]. Sound/Media Installation are allowed. \nThe selection panel consists of professional and renowned composers/artists; it will assign:\n* AWARDS of DISTINCTIONS | usually one per category | The jury reserves the right not to award all or any of prizes\, as well as to award ex-aequo prizes if it sees fit.
URL:https://emfinstitute.org/event/call-for-works-loxos/
LOCATION:NY
CATEGORIES:Call for Submissions,Festival
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/05/CALL-for-WORKS-MA-IN-festival.jpg
ORGANIZER;CN="LOXOSconcept APS":MAILTO:info.mainfest@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220615T235900
DTEND;TZID=America/New_York:20220615T235900
DTSTAMP:20260608T121250
CREATED:20220527T173538Z
LAST-MODIFIED:20220630T184059Z
UID:10000038-1655337540-1655337540@emfinstitute.org
SUMMARY:North/South Consonance - CALL FOR SCORES
DESCRIPTION:Call for Scores \nSubmission period \nTue May 17 at 11pm ET \nEnd of submission period \nWed Jun 15 at 11:59pm ET \nResults date \nMon Oct 31 \nEntry or Course Fee \nEntry fee $30 per composition \nNorth/South Consonance\, Inc. is currently conducting an open search for compositions to be featured as part of its New York City free-admission concerts during 2022-23. \nThe upcoming season will celebrate the 42nd anniversary of North/South Consonance’s advocacy efforts on behalf of music by living composers. North/South Consonance concerts and recordings consistently feature music by composers hailing from throughout the world and representing a wide spectrum of aesthetic views. \nComposers are invited to submit works for consideration in accordance with the following guidelines:\n• All composers are eligible.\n• There are no restrictions regarding age\, citizenship or institutional affiliation.\n• Compositions submitted may be scored for any solo instrument\, solo voices\, string ensembles\, Pierrot–like ensemble and/or other mixed ensembles up to a maximum of 18 (eighteen) performers.\n• Compositions employing voice\, percussion and/or electronic means are acceptable.\n• A non-refundable registration/processing fee of $30 (US Dollars) per composition must accompany all submissions.\n• Entries submitted electronically will be accepted until June 15\, 2022 @ 11:59 PM (EST)\n• Entries sent via regular mail must be received no later than June 15\, 2022.
URL:https://emfinstitute.org/event/north-south-consonance-call-for-scores/
LOCATION:NY
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220619T140000
DTEND;TZID=America/New_York:20220619T170000
DTSTAMP:20260608T121250
CREATED:20220602T195935Z
LAST-MODIFIED:20221122T191842Z
UID:10000021-1655647200-1655658000@emfinstitute.org
SUMMARY:USA: Issue Project Room: Alvin Lucier Memorial Livestream
DESCRIPTION:On Father’s Day\, Sunday\, June 19th – 2pm ET\, The Stokes-Lucier family and ISSUE Project Room will host a livestream memorial for the late Alvin Lucier (May 14th\, 1931 – Dec. 1st\, 2021)\, revolutionary American composer and beloved pioneer of experimental music. \nISSUE will be publicly livestreaming the full memorial online with speeches from Alvin’s family and friends including Wendy Stokes & Amanda Lucier\, David Behrman\, Susan Foster\, and James Fei as well as performances of his work from Charles Curtis and the Ever Present Orchestra including Vespers\, Three Cardboard Boxes\, an archival presentation of I am sitting in a room\, and more. \n(Note: The in-person memorial is by invitation of the family only.) \nThe memorial will be livestreamed on Vimeo and the Issue Project Room webpage : https://issueprojectroom.org/event/alvin-lucier-memorial-livestream
URL:https://emfinstitute.org/event/alvin-lucier-memorial-livestream/
LOCATION:NY
CATEGORIES:Concert,Online Event
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/06/07312018_AlvinColoradoPortraits004.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220620T130000
DTEND;TZID=America/New_York:20220626T200000
DTSTAMP:20260608T121250
CREATED:20220508T153818Z
LAST-MODIFIED:20221122T191826Z
UID:10000046-1655730000-1656273600@emfinstitute.org
SUMMARY:USA: New York City Electroacoustic Music Festival
DESCRIPTION:The New York City Electroacoustic Music Festival is one of the largest festivals of its kind in the world. The works presented each year are chosen by a panel of internationally respected composers and musicians. This year’s festival will take place on June 20 through June 22 at various locations in New York City.
URL:https://emfinstitute.org/event/new-york-city-electroacoustic-music-festival/
LOCATION:NY
CATEGORIES:Festival
ORGANIZER;CN="New York City Electroacoustic Music Festival":MAILTO:info@nycemf.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220621T200000
DTEND;TZID=America/New_York:20220621T200000
DTSTAMP:20260608T121250
CREATED:20220609T160945Z
LAST-MODIFIED:20221122T191819Z
UID:10000033-1655841600-1655841600@emfinstitute.org
SUMMARY:USA: For LA: A Celebration of Resiliency
DESCRIPTION:You don’t want to miss this blow-out concert!\n\nWe are using every square inch of Monk Space to showcase LA’s most beloved new music artists\, chamber ensembles\, and presenters. These stellar musicians are all donating their time to play short sets on two separate performance areas in Monk Space. All proceeds – tickets and donations – from this event will go towards our Tuesdays @ Monk Space Musicians’ Fund so we can pay our artists fairly in our 2022/23 concert season. \nMultiple Acts – 2 stages \nTuesday\, June 21 @ 8pm\nMonk Space\n4414 West 2nd St\, LA 90004 \n$25 General Admission\n$15 Students/Seniors/Artists experiencing financial hardship due to Covid \nPlease bring proof of vaccination + booster and wear a mask inside the theater.
URL:https://emfinstitute.org/event/for-la-a-celebration-of-resiliency/
LOCATION:Monk Space\, 4414 W 2nd Street\, Los Angeles\, 90004\, United States
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/06/BrightNewMusic-061222.jpg
ORGANIZER;CN="Brightwork newmusic":MAILTO:info@brightworknewmusic.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220622T130000
DTEND;TZID=America/New_York:20220622T130000
DTSTAMP:20260608T121250
CREATED:20220523T165536Z
LAST-MODIFIED:20221122T191811Z
UID:10000042-1655902800-1655902800@emfinstitute.org
SUMMARY:USA: EMFi at New York City Electroacoustic Music Festival
DESCRIPTION:EMF Institute will present a concert of tributes to Joel Chadabe at the 2022 NYC Electroacoustic Music Festival (NYCEMF) June 22 at 1pm. \n“A Musical Tribute to Joel Chadabe” will include new and recent works by composers Marc Battier\, Tom Beyer & Ben Chadabe (Joel’s son)\, Svjetlana Bukvich\, Warren Burt\, Bob Gluck\, Richard Lainhart\, Mary Simoni\, and Laetitia Sonami. The concert features the use of technologies that piqued and sustained Joel’s sonic curiosity. \nThe concert\, curated by the Directors of the EMF Institute\, recognizes this pioneering work. Through the performance of historical compositions\, the use of historical technologies to realize the performance of works\, and listening to the musicality of Joel’s spoken words\, the program will honor his memory and lasting contributions to the field of electronic music. \nFor updated information on the concert and performers\, please follow EMF Institute on Facebook.
URL:https://emfinstitute.org/event/emfi-at-new-york-city-electroacoustic-music-festival/
LOCATION:The Loreto Theater at The Sheen Center\, 18 Bleecker St\,\, New York\, NY\, 10012\, United States
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/05/Joel-Chadabe-I-1.jpg
ORGANIZER;CN="New York City Electroacoustic Music Festival":MAILTO:info@nycemf.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220701
DTEND;VALUE=DATE:20220711
DTSTAMP:20260608T121250
CREATED:20220702T200419Z
LAST-MODIFIED:20221122T191716Z
UID:10000023-1656633600-1657497599@emfinstitute.org
SUMMARY:Germany: Unexpected Territories – David Tudor
DESCRIPTION:Exhibitions\, Concerts\, Conference\, Workshops\nThe series »unexpected territories« by singuhr — projekte explores the traces of the American interpreter\, composer\, performer and pioneer of live electronics David Tudor (1926-1996). Tudor is one of the central figures in the American and international music scene after the second world war. \nThe focus of »unexpected territories« is on the concrete-practical effects of Tudor’s ideas\, utopias and works in the present. Tudor’s artistic companions\, collaborators\, selected sound artists and composers are invited to both re-perform Tudor’s works and reflect on David Tudor’s works and concepts and to work with them in new artistic productions. The program presents five exhibitions\, seven concerts\, three workshops and a conference. \nExhibitions\nThru 10.7.\, daily 14:00–20:00\nOpening tour: 2.7. from 14:00\nStart: Meinblau Projektraum (Performance) \nMeinblau Project Space\, ACUD Gallery\, Villa Elisabeth\nAdmission free \nConcerts\n1.7. – 19:00 – Villa Elisabeth\n1.7. – 20:30 – Villa Elisabeth\nWorks by David Tudor\, Phil Edelstein and Mats Lindström \n2.7. – 19:00 – Villa Elisabeth\n2.7. – 20:30 – Villa Elisabeth\nWorks by David Tudor\, Jan St. Werner & Michael Akstaller \n8.7. – 19:00 – St. Elisabeth Church\n8.7. – 20:30 – St. Elisabeth Church\nWorks by David Tudor\, Laura Mello & Wolfgang Musil\, Monobirds Orchestra \n9.7. – 19:00 – St. Elisabeth Church\nWorks by hans w. koch\, Michael Johnsen\, David Tudor \nTicket: 12€/8€\nCombi-Ticket: 18€/12€\n(purchase ticket…)\n \nConference\n3.7. – 14:00-20:00 – Villa Elisabeth\nLectures and talks by and with You Nakai\, Michael Johnsen\, Miriam Akkermann\, John Driscoll\, Phil Edelstein\, Matt Rogalsky\, Mats Lindström\, Andrea Neumann and Julia H. Schröder (moderation)\nAdmission free \nWorkshops\n4.7.+5.7. – 15:00–21:00 – Berlin School of Sound (ACUD)\nMichael Johnsen »Acoustic and electronic feedback as a compositional tool«\nJohn Driscoll »Speaking in Tongues – workshop with ultrasonic instruments«\nPhil Edelstein »Resonance and Space«\nRegistration \nLecture — Demonstration\n6.7. –  18:00–22:00 – Villa Elisabeth\nDavid Tudor »Island Eye\, Island Ear«\nLectures\, Talks\, Sounds\, Sketches and Videos about Tudors never realized outdoor project with Julie Martin\,You Nakai\, Jacob Kirkegaard\, John Driscoll\, Phil Edelstein \nMultiple venues: \n• Villa Elisabeth\, St. Elisabeth-Kirche\, Invalidenstraße 3\, 10115 Berlin\n• ACUD Galerie\, Berlin School of Sounds\, Veteranenstraße 21\, 10119 Berlin\n• Meinblau Projektraum\, Auf dem Pfefferberg\, Haus 5\, Christinenstraße 18/19\, 10119 Berlin
URL:https://emfinstitute.org/event/unexpected-territories-david-tudor/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/07/tudor_flyerfoto-768x1014-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220701
DTEND;VALUE=DATE:20221101
DTSTAMP:20260608T121250
CREATED:20220630T174115Z
LAST-MODIFIED:20221122T191630Z
UID:10000008-1656633600-1667260799@emfinstitute.org
SUMMARY:USA: The Ear Hut + Listen Ahead
DESCRIPTION:A listening station created by Miya Masaoka\nThe Ear Hut was originally commissioned by Sonic Innovations\, a program of the Caramoor Center for Art and Music in Katonah\, New York\, for composer and sound artist Miya Masaoka and was exhibited there in 2019-2021. \nThe Ear Hut is a listening space\, a contemplative space that directs the attention of the viewer towards an awareness of their sense of listening over their sense of sight\, and how this shift in emphasis might be experienced in an impactful way. \n 
URL:https://emfinstitute.org/event/the-ear-hut-listen-ahead/
LOCATION:OUTDOOR PLAZA\, Building 12\, Nolan Park\, Governors Island\, New York City\, NY\, United States
CATEGORIES:Installation
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/06/Ear-Hut-Close-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20220702T160000
DTEND;TZID=Asia/Tokyo:20220702T180000
DTSTAMP:20260608T121250
CREATED:20220630T165636Z
LAST-MODIFIED:20221122T191606Z
UID:10000034-1656777600-1656784800@emfinstitute.org
SUMMARY:Japan: Izumi Sinfonietta Osaka
DESCRIPTION:On the program: \nXenakis：\nNomos Alpha\nlinaia-agon Aroura\nPalimpsest \nAlso: \nBartók（arr.Motoharu Kawashima)：\nConcerto for 2 Pianos\, Percussion and Orchestra\, BB 121（ISO ver.） \n  \nPlayers: \nNorichika Iimori (Conductor)\nYasuo Maruyama（Vc）\nShin-ichi Go（tb）／Hiroshi Kigawa（hrn）／Tuba player being adjusted\nIzumi Sinfonietta Osaka
URL:https://emfinstitute.org/event/izumi-sinfonietta-osaka/
LOCATION:Izumi Hall\, Sumitomo Seimei OBP Plaza Build. 1-4-70\, Shiromi\, Chuo0ku\, Osaka\, 540-0001\, Japan
CATEGORIES:Concert
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/06/izumihall.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220716T055900
DTEND;TZID=America/New_York:20220716T055900
DTSTAMP:20260608T121250
CREATED:20220527T170146Z
LAST-MODIFIED:20220630T183918Z
UID:10000037-1657951140-1657951140@emfinstitute.org
SUMMARY:Mondi Senza Frontiere - Worlds Without Borders
DESCRIPTION:Call for Scores \nSubmission period\nWed May 11 at 04AM UTC \nEnd of submission period\nSat Jul 16 at 10:59AM UTC (5:59AM ET) \nResults date\nWed Aug 31 at 04PM UTC \n“Piazza del Mondo” is very excited to announce its first call for scores\, in order to focus the attention on essential themes and values such as pace\, solidarity\, dialog and democracy. \nThe recent events stress the need to raise awareness towards altruism\, solidarity and comprehension of your neighbor. \nKey concepts that will stimulate your creativity: \nPace – War – Net – Solidarity – Dialog – Democracy – Local – Global – Community – Individual – Otherness \nGuidelines for submission: \n\nApplicants may be of any nationality and age.\nApplicants may submit only one work.\nSubmitted works must not exceed 15 minutes length.\n\nDeadline: July 16\, 2022 (CET 11.59am) \nFee: The call is completely free of charge. \nAgorArt Ensemble: \n\nDavide Baldo (flute in C\, flute in G\, bass flute in C\, piccolo);\nEmanuele Dalmaso (Bb clarinet\, A clarinet\, Eb clarinet\, bass clarinet\, soprano sax\, alto sax\, tenor sax\, baritone sax);\nMattia Grott (Electronics).\n\nWe accept pieces written for two or three performers (any combination is allowed\, live electronics is included). \nElectronics (Stereo) can be live or fixed media. In addition to other materials\, a detailed description of technical requirements must be provided with the application. We can run Max/MSP or Pure Data patches and Ableton sessions. \nAll winners will receive a performance at “Resistance and Resilience. Workshops and Performances”\, that will take place in late 2021 in Trentino\, Italy. \nAll submissions should be sent via email to: call@piazzadelmondo.it with the subject heading “MONDI SENZA FRONTIERE / WORLDS WITHOUT BORDERS – Call For Scores – Your Name” and should include a link (Dropbox\, Google Drive\, WeTransfer\, etc) to the following files: \n\nPDF score and program notes;\nMP3 recording or MIDI realizations (not mandatory);\nCurriculum vitae\n\nAll parts must be sent within a week after the selection \nFor more information regarding the call for scores\, please send an email to: call@piazzadelmondo.it
URL:https://emfinstitute.org/event/1300/
LOCATION:NY
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/05/MondiSenzaFrontiere-WorldsWithoutBorders.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220731
DTEND;VALUE=DATE:20220801
DTSTAMP:20260608T121250
CREATED:20220701T234737Z
LAST-MODIFIED:20220701T235115Z
UID:10000031-1659225600-1659311999@emfinstitute.org
SUMMARY:First International UPISketch Competition
DESCRIPTION:Some fifty years ago\, Iannis Xenakis and his team at the CEMAMu (Centre d’Études de Mathématique et Automatique Musicales) invented the UPIC\, a computer tool for composing music with the help of drawing. Anyone\, with or without a musical background\, could compose using this very large digitizing table and its associated system. \nThe CIX decided to pursue this initial goal of opening up creativity to all audiences and has developed a new application/software called UPISketch (see here for free download). \nXenakis’s centenary is the perfect occasion for us to launch this first UPISketch International Competition\, with a total amount of 5000 € in prizes. \nGENERAL CONDITIONS \nThe competition is open to all nationalities and all ages. \nThe amateur category is reserved for non-professional musicians. \nCATEGORIES \n\nA : Amateur – UPISketch solo\nB : Professional – UPISketch solo\nC : Professional – UPISketch and mixed techniques\n\nA & B (“UPISketch Solo”): All of the material should be generated by UPISketch\, be from one or several projects using the app. However\, the final product can be edited in a digital audio workstation (DAW) and processed through reverberation and/or filtering end and/or dynamics. \nC: “UPISketch & Mixed Techniques”: The large majority of the sound material (in terms of content and duration) of the submitted work must be generated by UPISketch. It can be processed by any means. The final product could use other sources as well\, but one must be able to retrace the UPISketch material by comparing the provided UPISketch-exported sounds with the piece itself. \nNota Bene: a VST-host version of UPISketch is in the making. With this version\, any plugin will be usable for the current competition\, as long as it is installed in UPISketch itself. \nB & C: It is mandatory to provide the screen shots and exported sounds from the original UPISketch projects that were used\, along with the piece. Also\, spatialization can be added to expand stereo setups. In such cases\, please send us a multi-track audio file. \nOnly one work per applicant may be submitted. \nCollective works by more than one composer will be considered one submission. If a collective work is submitted\, none of the composers participating at the collective is allowed to submit an individual work. \nSCHEDULE \n\nOpening of submissions: March 8\, 2022\nDeadline: July 31\, 2022\nPublication of Results: September 15\, 2022\n\nA distinguished international jury will anonymously review all submissions. The jury’s decisions will be final. Names of the jury members will be posted at the same time as the results on our website and related social media. \nNo member of the jury may participate in the Competition. In addition to the three prizes in each category the jury has the right to award Honorary Mentions for works they consider of high artistic value. \nConcerts including awarded works will take place between September 28 and the end of 2022\, in France\, Greece\, and Japan (and perhaps elsewhere). \nDURATION \nThe duration of submitted work should be more than 3 minutes\, and preferably less than 20 minutes. \nSUBMISSION \nSubmission is free of charge and will consist of the following files/links emailed to upisketch@meta-xenakis.org: \n• your piece (audio file\, stereo or multitrack)\n• associated UPISketch screen captures and exported audio files from UPISketch projects (for Categories B & C)\n• rider containing diffusion setup\, technical requirements\, images\, program notes\, etc.\n• the completed and signed registration form \nPRIZES \nThree prizes will be given for each category: \n1st Prize 2nd Prize 3rd Prize \nA 500€ 300€ 200€ \nB 1000€ 600€ 400€ \nC 1000€ 600€ 400€ \nNota Bene: you are free to use any available version of UPISketch\, but please note that the main platforms for the upcoming updates and version will be OSX and Windows. \nTo be informed when any new versions are released\, please check for updates on the CIX website and on our Facebook page. \nVideo tutorials are available in the application itself\, or online at https://www.youtube.com/playlist?list=PLvYFZ0B8tIk-1ch53Cb2LMTAA3Uoc6z1Y
URL:https://emfinstitute.org/event/first-international-upisketch-competition/
LOCATION:NY
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/07/Logo-M.X.-13-06-2021-bis-600.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220801T105900
DTEND;TZID=America/New_York:20220801T225900
DTSTAMP:20260608T121250
CREATED:20220527T164558Z
LAST-MODIFIED:20220630T183907Z
UID:10000022-1659351540-1659394740@emfinstitute.org
SUMMARY:2nd Ise-Shima International Composition Competition
DESCRIPTION:Call for Scores \nDeadline: August 1\, 2022\, 23:59 JP time (10:59AM ET) \nSumio Kobayashi​\, head of jury – https://www.sumiokobayashi.com/ \n• Full score (pdf format) and/or recording composed solely by an applicant must be submitted via application form (https://en.iseshimaart.com/international-composition-competiti). \n• Application Fee – A non-refundable payment of 3\,000 Yen (approximately $30 US Dollars) can be paid via following page after fulfilling the form (credit card or paypal): https://en.iseshimaart.com/international-composition-competiti \n• The score has to be sent from the form. \n• All important messages will be sent by info at iseshimaart.com. Confirm the e-mail setting to receive the messages from this e-mail address. \n• Depending on a situation\, we may ask winners to send us a copy of ID. \n• Full name of applicants must be written correctly on the application form because the name will be used on a certificate. Teacher names and parent names\, relative names etc. must not be written on the application form. \nGeneral rules \n• Instrumentation and duration are free\, from a solo piece to orchestra. \n• An electro acoustic work is acceptable.  \n• Full score must be uploaded from the application form: https://en.iseshimaart.com/international-composition-competiti \n• The score\, in pdf format\, must contain full name of the composer. \n• The submitted work may be already performed or awarded. \n• Composers may submit more than one work\, but must complete a separate entry form and fee for each. \n• A recording of the submitted work (possibly movie recording or audio recording) must be submitted by links in Soundcloud / Youtube / Youku / Vimeo. At first\, please upload the recording on one of these websites.
URL:https://emfinstitute.org/event/2nd-ise-shima-international-composition-competition/
LOCATION:NY
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/05/Ise-Shima-International-Composition-Competition.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220815
DTEND;VALUE=DATE:20220916
DTSTAMP:20260608T121250
CREATED:20220826T215455Z
LAST-MODIFIED:20220827T231001Z
UID:10000003-1660521600-1663286399@emfinstitute.org
SUMMARY:FOLLOW MY SCORE 2022 FALL SEASON
DESCRIPTION:We are pleased to announce Follow My Score 2022! Fms22 is an effort to promote and curate many works by living composers. Approximately 80 works will be selected by the Score Follower jury and curators. Selected works will be made into “score follower videos” by our production team\, and uploaded onto our YouTube channels. We hold this call semiannually\, once in the Fall (Aug 15—Sep 15\, with results by Nov 15)\, and once in the Spring (Feb 15—Mar 15\, with results by May 15). If you want to make a score video in the meantime\, you can build one in your browser now: scorefol.io. This project is not a commissioning contest.
URL:https://emfinstitute.org/event/follow-my-score-2022-fall-season/
LOCATION:YouTube
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/08/scorefollowerlogo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220824T200000
DTEND;TZID=Europe/Helsinki:20220824T213000
DTSTAMP:20260608T121250
CREATED:20220821T153847Z
LAST-MODIFIED:20221122T191521Z
UID:10000027-1661371200-1661376600@emfinstitute.org
SUMMARY:Spain: GAUR! 50TH ANNIVERSARY ENCUENTROS DE PAMPLONA
DESCRIPTION:XENAKIS AT THE PAMPLONA MEETINGS 1972 XAS FOR SAXOPHONE QUARTET \nIn the final years of the dictatorship in Spain\, in the summer of 1972\, and for eight days (26 June/3 July 1972)\, the “Encuentros de Pamplona” took place\, the largest and most significant international avant-garde festival held in Spain\, with Luis de Pablo (composer) and José Luis Alexanco (visual artist) as its intellectual leaders.\nXenakis’s music was presented at the Hotel de los Tres Reyes in Pamplona\, as part of the exhibition “Automatic generation of plastic and sound forms”\, curated by the director of the Centro de Cálculo de Madrid\, Ernesto García Camarero. \nFor the August 24\, 2022 event:\ninterpreters \nAndrés Gomis\, Ángel Soria\, Alberto Chaves\, Josetxo Silguero\,\nManu Gaigne saxophones \, interludes and soundscapes\nFrancisco Javier Larreina\, scenic space \nWith the special collaboration of the plastic artist César Barrio. \nProgram \n“Gaur!! 50th Anniversary of the Pamplona Meetings”\nJohn Cage (1912-1992)\nFour5 (1991) \nGabriel Erkoreka (1969)\nSwirls (2018) \nHelga Arias (1984)\nMilk spilled on a stone (2017) \nIannis Xenakis (1922-2001) Xenakis Xas Centenary Celebration\n(1987) \nNúria Giménez Comas (1980)\nClairobscur * (2022) \nLuis de Pablo (1930-2021)\nLDP (2021) \n* Absolute premiere. Work commissioned by SIGMA Project-INAEM.
URL:https://emfinstitute.org/event/gaur-50th-anniversary-encuentros-de-pamplona-spain/
LOCATION:NY
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/08/SIGMA_photo_AITOR-IZAGUIRRE-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220826T100000
DTEND;TZID=America/New_York:20221017T160000
DTSTAMP:20260608T121250
CREATED:20220915T211033Z
LAST-MODIFIED:20221122T191454Z
UID:10000036-1661508000-1666022400@emfinstitute.org
SUMMARY:USA: Sonic Innovations
DESCRIPTION:Sonic Innovations continues to expand Caramoor’s programming with an annual exhibition of sound art\, curated by Stephan Moore\, from artists working with sonic materials outside the traditions of concert music. Each artist has drawn inspiration from their chosen location\, creating work that is mindful of the natural and human-made sounds and systems already present in the environment\, while engaging each site’s unique characteristics — be they acoustic\, historic\, architectural\, or natural. \n• Timbre and Frequency (2022) -Mendi + Keith Obadike \n• in“C” (2021) – Trimpin \n• Wild Energy (2014) – Annea Lockwood and Bob Bielecki \n• Stone Song (2014) – Ranjit Bhatnagar \n• t(ch)ime (2017) – Taylor Deupree \n• Nafasi Yako Ni Ya Kijani (Your Place is Green) (2018) – Walter Kitundu \n• Piano Garden (1969 – 1970 / 2021) – Annea Lockwood \nEXPLORE SONIC INNOVATIONS: https://caramoor.org/wp-content/uploads/2022/05/2022-Campus-Map.pdf\nOPEN FRIDAY THROUGH SUNDAY.
URL:https://emfinstitute.org/event/https-caramoor-org-upcoming-events-sonic-innovations/
LOCATION:Caramoor\, 149 Girdle Ridge Road\, Katonah\, NY\, 10536\, United States
CATEGORIES:Installation
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/09/Sonic-Innovations-2020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220831
DTEND;VALUE=DATE:20220901
DTSTAMP:20260608T121250
CREATED:20220701T234111Z
LAST-MODIFIED:20220701T234111Z
UID:10000030-1661904000-1661990399@emfinstitute.org
SUMMARY:Rethinking: Xenakis Competition
DESCRIPTION:“Composition for Ensemble”\nCommemorating the 100th anniversary since the birth of the prominent Greek composer Iannis Xenakis\, the Greek Composers Union has organized an International Competition. \nThe aim of the Competition is to encourage composers from all over the world to create new pieces for ensemble and to promote contemporary creation! \nComposers from around the world\, of any nationality and age\, are invited to write chamber music works reflecting on the achievements of the great creator. \nCompositions that will be submitted will be judged by an international committee\, which will choose three works for the three prizes. Celebrating the 100th anniversary since the birth of Iannis Xenakis\, the Friends of Music Society offers the prizes for this international competition. \nThe Ionian Ensemble will perform the three award-winning pieces at a special concert on the 3rd of October at Megaron – The Athens Concert Hall. \n\n• The competition is open to composers of all nationalities with no age limit and without registration fees. \n• The submitted works must not have been previously published\, performed\, broadcasted or awarded at a different competition. \n• The contestants will submit one work for ensemble that must last between 8 and 10 minutes. The duration of the piece must be written on the score. \n• The use of electronics or solo instruments is not permitted. \nThe submission deadline is 31 August 2022\, and in order to be considered as final\, there must be an electronic submission. \n\nMore information at Rethinking:Xenakis 
URL:https://emfinstitute.org/event/rethinking-xenakis-competition/
LOCATION:NY
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/07/Rethinking-Xenakis.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220831T070000
DTEND;TZID=America/New_York:20220831T070000
DTSTAMP:20260608T121250
CREATED:20220527T162414Z
LAST-MODIFIED:20220630T183853Z
UID:10000044-1661929200-1661929200@emfinstitute.org
SUMMARY:ELECTROACOUSTIC COMPOSITION COMPETITION MÚSICA VIVA 2022
DESCRIPTION:Submission period: Fri May 27 at 04AM UTC\nEnd of submission period: Wed Aug 31 at 12PM UTC (7AM ET)\nResults date: Fri Nov 18 at 09PM UTC \n23rd International Electroacoustic Composition Competition Música Viva 2022 \nJury of the 2022 Jonty Harrison\, Kees Tazelaar\, Miguel Azguime\nDeadline August 31\, 2022. \nThe works submitted for the competition shall be electroacoustic pieces\, composed and recorded in studio. They are to be projected only by loudspeakers in concert\, without any intervention of live performers besides the sound projectionist. They may include a maximum of eight channels and should have a duration between five and fifteen minutes. \nThe competition is open to composers of any nationality and age\, each of whom may submit only one work\, which has not been commercially published or awarded a prize in any other national or international competition. Any previous Musica Viva prize-winning composer will not be allowed to submit a work during the two years following the prize award. \nThe deadline for submissions is 12 pm GMT time\, August 31\, 2022.\nApplications sent after the deadline will not be considered valid. \nPrize: the jury will award 1 work with a 500€ prize and the work will be performed in concert by the Miso Music Loudspeakers Orchestra at the 2022 edition of the Musica Viva Festival.
URL:https://emfinstitute.org/event/electroacoustic-composition-competition-musica-viva-2022/
LOCATION:NY
CATEGORIES:Call for Submissions
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/05/MÚSICA-VIVA-competition.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220903
DTEND;VALUE=DATE:20221003
DTSTAMP:20260608T121250
CREATED:20220829T190740Z
LAST-MODIFIED:20221122T191351Z
UID:10000012-1662163200-1664755199@emfinstitute.org
SUMMARY:France: ELECTROPIXEL 12
DESCRIPTION:Electropixel Festival \nA festival of emerging digital cultures and free electronic practices\, Electropixel is part of an international network of electronic arts festivals. The festival opens a unique space allowing the meeting of artists (audiovisual\, musicians\, visual artists\, intermedia\, performers\, etc.)\, theoreticians\, programmers\, hackers\, and inventors of all stripes and everyday factories. \nSep 3\, 2022@ 8:30 p.m. \nElectropixel Nantes – ElectronoiseSaturday \n3 rue de Bitche\, les Ateliers de Bitche \nTickets: https://www.helloasso.com/associations/apo-33/evenements/electronoise-soiree-electropixel-nantes \n  \nSep 17\, 2022@ 8:00 p.m. \nELECTROPIXEL 12 – ST NAZAIRE – PCP \nLes Ateliers PCP \nTickets: apo33.org – Free \n7 chemin du Relais \n44600 Saint Nazaire \n  \nSep 22\, 2022 –  Oct 2 \nELECTROPIXEL 12 – PARIS – EXHIBITION – COLLECTIF IRRATIONNEL \nOpening Thursday September 22 at 6.30 p.m. Visit the exhibition Friday September 23—Saturday October 1 from 3 p.m. to 7 p.m. \n  \nSep 22\, 2022 –  Oct 2 \nELECTROPIXEL 12 – PARIS – EXHIBITION – COLLECTIF IRRATIONNEL \nOpening Thursday September 22 at 6.30 p.m. Visit the exhibition Friday September 23—Saturday October 1 from 3 p.m. to 7 p.m. \n  \nSep 24\, 2022@ 3:00 p.m. – 6pm \nElectropixel 12 – Diwo workshop Art+tech – Mains D’oeuvres  (Hands of works) \nContinuous performance with artists and musicians where the public could interact with collective experimentation. The idea is to create a framework where artists\, audiences\, musicians feel comfortable working together in a different process without a specific hierarchy on a common artistic process/project. Apo33 offers an experimental art workshop where participants will contribute to building an evening between installation and performance. \nRegister at orga@apo33.org \n*DIWO: (Do it with the others)
URL:https://emfinstitute.org/event/electropixel-12/
LOCATION:NY
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/08/295811912_5277774845593476_1834482492374202236_n-paris-1-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220916
DTEND;VALUE=DATE:20220925
DTSTAMP:20260608T121250
CREATED:20220902T154847Z
LAST-MODIFIED:20221122T191318Z
UID:10000005-1663286400-1664063999@emfinstitute.org
SUMMARY:Poland: 65th Warsaw Autumn
DESCRIPTION:CONNECTIONS – is the watchword of this year’s\, 65th edition of the ‘Warsaw Autumn’. We work as a team\, bringing together the efforts of performers\, programmers\, and organisers. Connections are constructive\, in defiance of the engineering of social divisions. We are with Ukraine and its artists. We present music that is not indifferent to the struggle with life’s hardships and solitude\, brought about both by large-scale processes and by everyday life. \nDETAILS: https://warszawska-jesien.art.pl/en/2022/news/64–warszawska-jesien- \nWarsaw Autumn (Warszawska Jesień) is a festival with a long tradition and a true witness to music history. It is the only contemporary music festival in Poland on an international scale and with an international status. The Festival is organised by the Polish Composers’ Union. The Repertoire Committee\, an independent body appointed by the Union’s Board\, determines the program of each edition of the festival. Warsaw Autumn is\, therefore\, an international and nonprofit festival of a nongovernmental association.
URL:https://emfinstitute.org/event/65th-warsaw-autumn/
LOCATION:NY
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/09/Warszawska-Jesień-2021-autor-Adam-Dudek-e1662133956307.jpeg
ORGANIZER;CN="Polish Composers' Union":MAILTO:festival@warsaw-autumn.art.pl
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DTSTART;TZID=Europe/Helsinki:20220917T150000
DTEND;TZID=Europe/Helsinki:20220917T160000
DTSTAMP:20260608T121250
CREATED:20220630T173305Z
LAST-MODIFIED:20221122T191248Z
UID:10000035-1663426800-1663430400@emfinstitute.org
SUMMARY:France: Hommage à Paul Méfano (1937-2020)
DESCRIPTION:A Concert Tribute to the Centre Iannis Xenakis’s President (From 2009-2020)\nThis tribute to Paul Méfano will feature several works spanning his rich career\, including electroacoustic and mixed pieces. Free admission is subject to availability. Reservation is required on the site. Guests will be invited to an informal reception after the concert. \nAbout Centre Iannis Xenakis  \nThe association was founded in 1985 by Iannis Xenakis and Maurice Fleuret to promote the musical composition machine through drawing\, developed by Iannis Xenakis in 1977\, called UPIC. Since December 2010\, the Iannis Xenakis Center has been housed at the University of Rouen\, under the aegis of the\nGRHis research laboratory (Groupe de Recherche d’Histoire)\, whose important archives are kept in the main premises of the University. \nhttp://www.centre-iannis-xenakis.org/ \n 
URL:https://emfinstitute.org/event/hommage-a-paul-mefano-1937-2020/
LOCATION:The Forum\, 48\, rue Victor Hugo\, Rouen\, 76000\, France
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/06/11-Paul-Mefano-e1661800380133.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220920T190000
DTEND;TZID=America/New_York:20220920T220000
DTSTAMP:20260608T121250
CREATED:20220915T205750Z
LAST-MODIFIED:20221122T191155Z
UID:10000040-1663700400-1663711200@emfinstitute.org
SUMMARY:USA: International Contemporary Ensemble
DESCRIPTION:International Contemporary Ensemble gives the world premiere performance of two new works by Lesley Mok and Chris Ryan Williams at Joe’s Pub alongside a solo set by Lesley Mok\, and Fay Victor’s Flow to the Next. Commissioned by ICEensemble as part of their 2021-2022 “Call for __” Commissions Program\, the new works include Mok’s Stilled leaf-chatter and Williams’s Odu: vibration 1. \n  \nAdvance tickets are suggested. Doors open at 6pm.
URL:https://emfinstitute.org/event/international-contemporary-ensemble/
LOCATION:Joe’s Pub\, 425 Lafayette Street (at Astor Place)\, New York\, NY\, 10003\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/09/International-Contemporary-Ensemble-1.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220921
DTEND;VALUE=DATE:20230101
DTSTAMP:20260608T121250
CREATED:20220921T192236Z
LAST-MODIFIED:20220928T181516Z
UID:10000028-1663718400-1672531199@emfinstitute.org
SUMMARY:JOB OPENING: Senior Vice President\, Planning & Capacity Building\, Arts Consulting Group
DESCRIPTION:Reporting to ACG’s President\, the Senior Vice President – Planning and Capacity Building (SVP-PCB) will focus on business development\, delivery of client services\, and team mentoring\, training\, and supervision. \nArts Consulting Group (ACG) is the leading provider of hands-on interim management\, executive search\, revenue enhancement\, strategic planning & community engagement\, facilities & program planning\, and other capacity building services for the arts and culture industry. \nMore detailed description\, roles and responsibilities : \nhttps://artsconsulting.com/employment/senior-vice-president-planning-and-capacity-building/ \nArts Consulting Group\, Inc. and Arts Consulting Group Canada\, Ltd. welcome all qualified applicants and highly values inclusion\, diversity\,\nequity\, and access\, which are embedded in the uniqueness of the vibrant creative industries and the culture of the firm. \nAdditional opportunities are listed here: https://artsconsulting.com/employment/
URL:https://emfinstitute.org/event/job-opening-senior-vice-president-planning-capacity-building-arts-consulting-group/
LOCATION:NY
CATEGORIES:Job Opening
ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/09/V2d-color.png
ORGANIZER;CN="Arts Consulting Group":MAILTO:SVP-PCB@ArtsConsulting.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220922
DTEND;VALUE=DATE:20220926
DTSTAMP:20260608T121250
CREATED:20220630T183252Z
LAST-MODIFIED:20221122T191130Z
UID:10000029-1663804800-1664150399@emfinstitute.org
SUMMARY:UK: Convergence 2022
DESCRIPTION:Music – Technology – Ideas\nConvergence 2022 will be a festival/conference celebrating new work and ideas in music and technology. \nOur keynote speakers for 2022 are Joanna Demers and Tim Garland. \nJoanna Demers is Professor of Musicology at the Thornton School of Music\, University of Southern California.  One of today’s most authoritative and interesting thinkers on music and technology she is author of Listening Through the Noise: The Aesthetics of Experimental Electronic Music (Oxford University Press\, 2010); Steal This Music: How Intellectual Property Law Affects Musical Creativity (University of Georgia Press\, 2006); Drone and Apocalypse: An Exhibit Catalog for the End of the World (Zero Books\, 2015) and; Anatomy of Thought-Fiction: CHS Report\, 2214 (Zero Books\, 2017). \nTim Garland is a world-renowned jazz musician: saxophonist\, composer and arranger. A former member of Chick Corea’s bands Origin and The Vigil\, and with over 40 albums and a Grammy Award to his credit\, Garland is internationally respected across jazz and classical music as performer\, composer\, orchestrator and educator in genres spanning symphonic and small combo blends of notated and improvised music-making.  Tim Garland’s Duology\, with Jason Rebello (piano) will perform in an evening concert at Convergence 2022. \nConcerts will be presented in DMU PACE Studios 1 and 2 and at The Venue@DMU \nAudiovisual and Installation work will be presented at two of Leicester’s central city Cultural Quarter venues: Phoenix Arts and LCB Depot. \nAbout us\nDe Montfort University is located in the heart of the city of Leicester—one of the UK’s most vibrantly multicultural cities.  A city with Roman heritage\, Leicester is also the recently established resting place of King Richard III\, the controversial subject of one of Shakespeare’s greatest plays. \nDe Montfort University’s MTI2 Institute for Sonic Creativity has been established as a leading international centre for electroacoustic music for over two decades and builds on Leicester’s reputation as a focal point for experimental music-making. A music department at the university was founded by the composer Gavin Bryars\, focusing DMU as a hotbed of experimentalism and innovation. That imperative extends today in the Institute for Sonic Creativity—founded in 1999 with wide-ranging artistic practice embracing many forms of digital and post-digital forms of sonic art: acousmatic music\, audiovisual and installation art\, live coding\, interactive performance\, electronic instrument construction\, AI\, spatial audio\, radiogenic art and plunderphonics.
URL:https://emfinstitute.org/event/convergence-2022/
LOCATION:De Montfort University\, The Gateway\, Leicester\, LE1 9BH\, United Kingdom
CATEGORIES:Conference,Festival
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/06/convergence-logos-870-img.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220922
DTEND;VALUE=DATE:20220926
DTSTAMP:20260608T121250
CREATED:20220731T171028Z
LAST-MODIFIED:20221122T191051Z
UID:10000024-1663804800-1664150399@emfinstitute.org
SUMMARY:Germany: KONTAKTE ’22 – Festival for Electroacoustic Music and Sound Art
DESCRIPTION:The Studio for Electroacoustic Music at the Akademie der Künste is hosting the KONTAKTE Festival for the fourth time in September 2022. Including premieres\, revivals and a diverse range of performances\, the festival offers a spectrum of current artistic trends and developments in the fields of electroacoustic music and sound art. For five days\, the entire Akademie building on Hanseatenweg is transformed through concerts\, performances\, sound installations and discussion panels. \nOnline ticket sales: www.adk.de/tickets
URL:https://emfinstitute.org/event/kontakte-22-festival-for-electroacoustic-music-and-sound-art/
LOCATION:Akademie der Künste\, Pariser Platz 4\, Berlin-Mitte\, 10117\, Germany
CATEGORIES:Concert,Conference,Lecture
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/07/Marshall_HACK_002_834x540px.jpg
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