BEGIN:VCALENDAR VERSION:2.0 PRODID:-//EMF Institute - ECPv6.16.2//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:EMF Institute X-ORIGINAL-URL:https://emfinstitute.org X-WR-CALDESC:Events for EMF Institute REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Paris BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20241027T010000 END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT 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BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20230519T183000 DTEND;TZID=Europe/Paris:20230520T170000 DTSTAMP:20260521T230610 CREATED:20230308T192334Z LAST-MODIFIED:20230308T192919Z UID:10001443-1684521000-1684602000@emfinstitute.org SUMMARY:France – Martin Matalon score for the Fritz Lang film Metropolis DESCRIPTION:For the restored version of the film Metropolis\, the Argentinian composer Martin Matalon had composed in 1995 an original score\, initially intended for sixteen instrumentalists and electronics. \nOrchestre de Paris\nKazushi Ōno conductor\nEtienne Démoulin IRCAM electronics \nBefore the concert\nMay 20\, 6:30pm | Salle de conférence\, Philharmonie\nMeet Martin Matalon URL:https://emfinstitute.org/event/france-martin-matalon-for-the-film-metropolis-by-fritz-lang/ LOCATION:Philharmonie de Paris – Grande salle Pierre Boulez\, 221 Av. Jean Jaurès\, Paris\, 75019\, France CATEGORIES:Film,Lecture,Performance,Premiere ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/03/IRCAM-metropolis-by-friedrich-wilhelm-murnau-stiftung-4-1000x667-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230518T190000 DTEND;TZID=America/New_York:20230518T210000 DTSTAMP:20260521T230610 CREATED:20230425T230608Z LAST-MODIFIED:20230425T230608Z UID:10001458-1684436400-1684443600@emfinstitute.org SUMMARY:A to Z Electronic DESCRIPTION:Twenty-six composers\, in alphabetical order (first\, middle or last names)\, present their short electronic music compositions. The event will be mostly electronic\, with some electro-acoustic music presented as well. \nComposers: Arthur Kampela\, Bernhard Philipp Eder\, Carlos Castro\, Dan Cooper\, Shanan Estreicher\, Ford Fourqurean\, Patrick Grant\, Adam Holzman\, Velizar Iordanov\, Joseph Martin Waters\, Howie Kenty\, Lukas Ligeti\, Florian Magnus Maier\, Natasha Bogojevich\, Otto Castro\, Gene Pritsker\, Quincy Jones\, David Rothenberg\, Zach Seely\, Roger Trefousse\, Vladimir Ussachevsky\, Aleksandra Vrebalov\, Randall Woolf\, Amy X Neuburg\, Carolyn Yarnell\, Lev Zhurbin. URL:https://emfinstitute.org/event/a-to-z-electronic/ LOCATION:Gallery MC\, 549 W 52nd St\, New York\, NY\, 10019\, United States CATEGORIES:Festival ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/04/composers-concordance-e1682464525805.png ORGANIZER;CN="Composers Concordance":MAILTO:composersconcordance@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230517T200000 DTEND;TZID=America/New_York:20230517T200000 DTSTAMP:20260521T230610 CREATED:20230513T175514Z LAST-MODIFIED:20230513T175514Z UID:10001471-1684353600-1684353600@emfinstitute.org SUMMARY:Zeena Parkins & Laetitia Sonami DESCRIPTION:Electro-acoustic composer/improviser Zeena Parkins and sound artist/performer/instrument builder Laetitia Sonami will perform a new collaborative work as well as new solos. URL:https://emfinstitute.org/event/zeena-parkins-laetitia-sonami/ LOCATION:Roulette\, 509 Atlantic Avenue (Corner of Third Avenue)\, Brooklyn\, NY\, 11217\, United States ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2023/05/Zeena-Parkins-Laetitia-Sonami2-780x525-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230516T200000 DTEND;TZID=America/New_York:20230516T200000 DTSTAMP:20260521T230610 CREATED:20230501T172549Z LAST-MODIFIED:20230501T172549Z UID:10001469-1684267200-1684267200@emfinstitute.org SUMMARY:TENOR 2023 - Concert #4 DESCRIPTION:CONCERT #4\nLei Liang\nFrom Six Seasons (for any number of improvising musicians and pre-recorded sounds)\, “Season 4: Migration” \nKitty Xiao [DIGISCORE / TENOR BOSTON 2023 commissioned composer]\ntendons for transformation \nIngrid Laubrock [DIGISCORE / TENOR BOSTON 2023 commissioned composer]\nPaths/Fields \nDaniel McKemie\nSeaswell\, for four snare drums \nBenjamin Eidson\nVISS 1 for Trumpet \nJessica Shand\, Manuel Cherep\, Jack Armitage\nMOTHERBIRD URL:https://emfinstitute.org/event/tenor-2023-concert-4/ LOCATION:New England Conservatory of Music\, Plimpton Shattuck Black Box Theatre\, 255 St. Botolph St.\, Boston\, 02115\, United States CATEGORIES:Performance ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/12/Tenor-Conference-1000x667-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230516T170000 DTEND;TZID=America/New_York:20230516T170000 DTSTAMP:20260521T230610 CREATED:20230501T172227Z LAST-MODIFIED:20230501T172408Z UID:10001468-1684256400-1684256400@emfinstitute.org SUMMARY:TENOR 2023 - Concert #3 DESCRIPTION:CONCERT #3\nAnders Lind\nMusic for Upright Bass and Mobile Phone Orchestra \nSimon Hutchinson\nBaion \nLauren McCall\nKaleidoscore [NeoScore competition finalist]\nduo B. : Lisa Mezzacappa + Jason Levis; with network-based scoring system designed & programmed by Tim Perkis\nIncomplete\, Open URL:https://emfinstitute.org/event/tenor-2023-concert-3/ LOCATION:New England Conservatory of Music\, Plimpton Shattuck Black Box Theatre\, 255 St. Botolph St.\, Boston\, 02115\, United States CATEGORIES:Performance ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/12/Tenor-Conference-1000x667-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230515T235900 DTEND;TZID=America/New_York:20230515T235900 DTSTAMP:20260521T230610 CREATED:20220423T135024Z LAST-MODIFIED:20230319T205437Z UID:10000052-1684195140-1684195140@emfinstitute.org SUMMARY:Call for Submissions – Radio – A Space for Sonic Art DESCRIPTION:ORGANISED SOUND \nCall for Submissions – Volume 29\, Number 1 \nIssue thematic title: “Radio – A Space for Sonic Art” \nDate of Publication: April 2024 \nPublishers: Cambridge University Press \nIssue co-ordinator: Michal Rataj (michal.rataj@hamu.cz) \nDeadline for submission: 15 May 2023 \n\n \n Call for Submissions – Radio – A Space for Sonic Art\n \n May 15\, 2023 -225 W 22nd St\n \n \n New York\,\n\n NY\n\n 10011\n\n United States\n \n \n \n Submission Deadline Passed\n \n \n \n Find out more\n \n \n\nBackground: \nSince the beginning of the 20th century radio as a medium has built all kinds of synapses in societies\, cultural practices and art discourses. Despite the fact that it was expected to be overshadowed by the rise of television\, it has continued to challenge norms within a wide variety of creativity across art disciplines. The internet has been questioning the position of radio again\, yet it is still radio as sound medium that provokes sonic imagination from surprising creative angles\, which do not only emerge from within public service environments. \nAcross the history of the radio medium we not only approach fascination with bi-directional communication\, but also an unprecedented subversive emphasis on aural approaches despite the continuously increasing visuality of the past century. Along with the history of radio we have been witnessing the rise of new studio technologies and distribution strategies\, which have not only influenced radical change regarding the listening experience\, but have also directly influenced the way artists make the art of sound (let’s call it music). New technologies and instruments have emerged from inside radio studios in order to reveal completely new timbral and spatial experiences of the work of composers\, poets\, theatre and film makers\, as well as visual artists. Listeners are part of a democratic “listening space for all” (Klaus Schöning 1997)\, while any distant spaces become part of the new radio space (F. T. Marinetti & Pino Masnata 1933). \nAlready at the beginning of public radio we can identify how differently traditional acoustic content had to be approached when being picked up by microphones inside the radio studio (Kurt Weill 1975). This directly influenced not only how new music started to be recorded but also what kinds of new sonic creativity were about to emerge\, including musique concrète\, Hörspiel\, sound poetry\, sound film\, soundscape and radio opera\, among many others. \nRadio as medium in contemporary art practice has developed from its primary purpose of sound distribution into a variety of creative and social strategies\, where sound has turned out to be the principal common denominator across creative disciplines\, social communities and cultural regions. At the threshold of the second quarter of the 21st century we are questioning the role of radio inside an intermedia discourse with respect to its history\, subversive social potential\, imaginative potential and audio creativity\, as well as its power to build bridges across communities of artists and listeners. \nThis issue of Organised Sound will be the first dedicated to sonic exploration by way of the radio medium over the decades\, as well as its future potential. \n\nTopics for investigation might include:\n• Historical aspects of radio with respect to the current intermedia scene\n• Creative and social potential of audio creativity\n• Radio potential challenged by the internet\n• Audio creativity challenging mainstream radio content\n• Approaches of public service radio stations to innovative audio content\n• Independent radio initiatives as cultural and social subversion\n• The radio as musical instrument\n• Radiophony as compositional strategy\n• Visual aspects of radiophonic creation\n• Aesthetic aspects of making for radio\n• Radio making as politicsThis call is open to all\, and we wish particularly to encourage submissions from often under-represented groups in these fora\, and also creatively and collaboratively-produced articles.Furthermore\, as always\, submissions unrelated to the theme but relevant to the journal’s areas of focus are always welcome.\n\nReferences \n• Marinetti\, F. T. & Masnata\, P. 1991. La Radia (1933). In  D. Kahn & G. Whitehead (eds.) Wireles Imagination. Sound\, radio and the avant-garde. Cambridge MA: MIT Press\, 266 – 268.\n• Schöning\, K. 1997. Klangreise – Sound Journey. Studio Akustische Kunst. 155 Werke 1968 – 1997. Köln: WDR.\n• Weill\, K. 1975. Der Rundfunk und die Umschichtung des Musiklebens (1926). In: Weill\, K. Ausgewählte Schriften. Frankfurt am Main: Suhrkamp Taschenbuch\, 285. \n\n\nSUBMISSION DEADLINE: 15 May 2023 \nSUBMISSION FORMAT: Notes for Contributors including how to submit on Scholar One and further details can be obtained from the inside back cover of published issues of Organised Sound or at the following url:\nhttps://www.cambridge.org/core/journals/organised-sound/information/instructions-contributors (and download the pdf)General queries should be sent to:\nos@dmu.ac.uk\, not to the guest editor.Hard copy of articles and images and other material (e.g.\, sound and video files\, etc. – normally max. 15’ sound files or 8’ movie files)\, both only when requested\, should be submitted to: \nProf. Leigh Landy\nOrganised Sound\nClephan Building\nDe Montfort University\nLeicester LE1 9BH\, UK. \nAccepted articles will be published online via FirstView after copy editing prior to the paper version of the journal’s publication. \n\nEditor: Leigh Landy; Associate Editor: James Andean\nFounding Editors: Ross Kirk\, Tony Myatt and Richard Orton†\nRegional Editors: Ricardo Dal Farra\, Jøran Rudi\, Margaret Schedel\, Barry Truax\, Ian Whalley\, David Worrall\, Lonce Wyse\nInternational Editorial Board: Marc Battier\, Manuella Blackburn\, Alessandro Cipriani\, Simon Emmerson\, Kenneth Fields\, Rajmil Fischman\, Eduardo Miranda\, Rosemary Mountain\, Garth Paine\, Mary Simoni\, Martin Supper\, Daniel Teruggi URL:https://emfinstitute.org/event/call-for-submissions-radio-a-space-for-sonic-art/ LOCATION:NY CATEGORIES:Call for Submissions ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/04/ISEA2023-e1650740881215.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230515T200000 DTEND;TZID=America/New_York:20230515T200000 DTSTAMP:20260521T230610 CREATED:20230501T171912Z LAST-MODIFIED:20230501T171937Z UID:10001467-1684180800-1684180800@emfinstitute.org SUMMARY:TENOR 2023 - Concert #2 DESCRIPTION:CONCERT #2\nJaslyn Robertson\nShadow Aria \nEugene Markin\nSurvival Kit \nIran Sanadzadeh\n502 Days of Self \nShai Cohen\nPoints of Convergence \nCat Hope\nTheir Lives Are Stripped of Meaning \nRyan Ross Smith\nAnimated Notation Workshop URL:https://emfinstitute.org/event/tenor-2023-concert-2/ LOCATION:Longy School of Music of Bard College\, Edward M. Pickman Concert Hall\, 27 Garden St\, Cambridge\, 02138\, United States CATEGORIES:Performance ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/12/Tenor-Conference-1000x667-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230515T170000 DTEND;TZID=America/New_York:20230515T170000 DTSTAMP:20260521T230610 CREATED:20230501T171646Z LAST-MODIFIED:20230501T171727Z UID:10001466-1684170000-1684170000@emfinstitute.org SUMMARY:TENOR 2023 - Concert #1 DESCRIPTION:CONCERT #1\nRoy Guzman\nAbstracciones de Jangueo En La Finca de Julio \nRob Hamilton\nElegy (Ready\, Set\, Rapture) \nCecilia Suhr\nEastern Praxis \nXavier Davenport\nGuitaRPG [NeoScore competition winner]\nMotoki Ohkubo\nyeah\, I see. huh? uh-huh\, yup. \nSebastian Adams\nCircum (after James Joyce) URL:https://emfinstitute.org/event/tenor-2023-concert-1/ LOCATION:Longy School of Music of Bard College\, Edward M. Pickman Concert Hall\, 27 Garden St\, Cambridge\, 02138\, United States CATEGORIES:Performance ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/12/Tenor-Conference-1000x667-1.png END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230515 DTEND;VALUE=DATE:20230516 DTSTAMP:20260521T230610 CREATED:20230220T214231Z LAST-MODIFIED:20230509T002648Z UID:10000391-1684108800-1684195199@emfinstitute.org SUMMARY:TENOR 2023 - International Conference on Technologies for Music Notation and Representation DESCRIPTION:Registration for TENOR BOSTON 2023 is now OPEN\nFull Registration (before May 15\, 2023) is: $150. Students and independent artists: $50. Remote participation: $100. Full registration includes morning and afternoon coffee\, tea\, snacks; lunch will also be provided; and offers access to all papers\, demos\, workshops\, and concerts. URL:https://emfinstitute.org/event/tenor-2023-international-conference-on-technologies-for-music-notation-and-representation/ LOCATION:NY ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2022/12/Tenor-Conference-1000x667-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230513T180000 DTEND;TZID=America/New_York:20230513T180000 DTSTAMP:20260521T230610 CREATED:20230425T230419Z LAST-MODIFIED:20230425T230419Z UID:10001457-1684000800-1684000800@emfinstitute.org SUMMARY:Shakespeare & His Characters DESCRIPTION:Composers:\nWilliam Anderson\, Bruce Arnold\,\nDan Cooper\, Sophie Dunér\, Jane Getter\,\nJohn Ferrari\, Eugene W. McBride\,\nGene Pritsker\, Marina Vesic \nPerformers:\nCompCord Rock Ensemble:\nFiffi – voice\nGene Pritsker\, William Anderson – guitars\nBruce Arnold – bass\nJohn Ferarri – drums URL:https://emfinstitute.org/event/shakespeare-his-characters/ LOCATION:The Delancey\, 168 Delancey St\, New York\, NY\, 10002\, United States CATEGORIES:Festival ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/04/composers-concordance-e1682464525805.png ORGANIZER;CN="Composers Concordance":MAILTO:composersconcordance@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230507T170000 DTEND;TZID=America/New_York:20230507T170000 DTSTAMP:20260521T230610 CREATED:20230505T230557Z LAST-MODIFIED:20230507T010738Z UID:10001470-1683478800-1683478800@emfinstitute.org SUMMARY:Lucid Iterations 2 at the 11th Annual CompCord Festival “What’s In a Name?” DESCRIPTION:Svjetlana Bukvich’s microtonal work Lucid Iterations 2 for Electric Viola da Gamba\, Tuba\, Arturia MicroFreak Synthesizer and Tape will be premiered at the first concert in the “Name Bands & Nicknames” 11th Annual CompCord Festival entitled “What’s in a Name?”. \nPerformers:\nJay Elfenbein – electric viola da gamba\, Jay Rozen – tuba\nSvjetlana Bukvich – Arturia MicroFreak synthesizer \nAlso on the program are works by composers Aaron Alter\, Lynn Bechtold\, Dennis Brandner\, Dan Cooper\, Jay Elfenbein\, Gilbert Galindo\, Christian Kuhen\, Mark Kostabi\, Peri Mauer\, Max Pollak\, Gene Pritsker\, Jay Rodriguez\, Jay Rozen\, David See\, and Ann Warren. \nThe concert will be live-streamed:\nhttps://www.facebook.com/ComposersConcordance/live\n  URL:https://emfinstitute.org/event/lucid-iterations-2-at-the-11th-annual-compcord-festival-whats-in-a-name/ LOCATION:Kostabi World Chelsea\, 225 W 22nd St\, New York\, NY\, 10011\, United States CATEGORIES:Concert ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/05/BukvichLucidIterations2.png ORGANIZER;CN="Composers Concordance":MAILTO:composersconcordance@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230507T170000 DTEND;TZID=America/New_York:20230507T170000 DTSTAMP:20260521T230610 CREATED:20230427T223644Z LAST-MODIFIED:20230427T224329Z UID:10001463-1683478800-1683478800@emfinstitute.org SUMMARY:Sam Green and Annea Lockwood in conversation DESCRIPTION:Filmmaker Sam Green and legendary composer Annea Lockwood in conversation. Official Selection of the 2022 Sundance Film Festival\,  Green’s 32 Sounds is an immersive documentary and profound sensory experience that explores the elemental phenomenon of sound. Composer Annea Lockwood\, the subject of Green’s 2021 documentary short\, has spent a lifetime making and analyzing different sounds. URL:https://emfinstitute.org/event/sam-green-annea-lockwood-in-conversation/ LOCATION:The Center for Fiction\, 15 Lafayette Avenue\, Brooklyn\, NY\, 11217\, United States ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/04/Long-Play-Festival-e1682635863878.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230506T220000 DTEND;TZID=America/New_York:20230506T220000 DTSTAMP:20260521T230610 CREATED:20230427T223226Z LAST-MODIFIED:20230427T223517Z UID:10001462-1683410400-1683410400@emfinstitute.org SUMMARY:Morton Subotnick's As I Live and Breathe\, Live with Projections by Lillevan DESCRIPTION:Electronic music pioneer Morton Subotnick celebrates his 90th birthday year with us\, with his brand new piece As I Live and Breathe\, a duet of image and sound he performs himself alongside live visual animation by his long-term collaborator Lillevan. URL:https://emfinstitute.org/event/morton-subotnick-as-i-live-and-breathe/ LOCATION:BRIC Ballroom\, 647 Fulton Street\, Brooklyn\, NY\, 11217\, United States ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/04/Long-Play-Festival-e1682635863878.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230506T143000 DTEND;TZID=America/New_York:20230506T143000 DTSTAMP:20260521T230610 CREATED:20230427T222730Z LAST-MODIFIED:20230427T225121Z UID:10001461-1683383400-1683383400@emfinstitute.org SUMMARY:Philip Glass Ensemble performs Glassworks DESCRIPTION:The Philip Glass Ensemble (PGE) performs Glass’ legendary album Glassworks in its entirety for the first time! In order to create his own revolutionary music\, Philip Glass first needed to create his own revolutionary ensemble. Philip himself assembled this collection of furiously arpeggiating virtuosi\, in order to embody his music\, perfectly. And they do. URL:https://emfinstitute.org/event/philip-glass-ensemble-performs-glassworks/ LOCATION:Roulette\, 509 Atlantic Avenue (Corner of Third Avenue)\, Brooklyn\, NY\, 11217\, United States ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/04/Long-Play-Festival-e1682635863878.png END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230506 DTEND;VALUE=DATE:20230507 DTSTAMP:20260521T230610 CREATED:20221122T182321Z LAST-MODIFIED:20221122T183635Z UID:10000072-1683331200-1683417599@emfinstitute.org SUMMARY:USA: The Pianists United: Rzewski in New York DESCRIPTION:Celebration of the remarkable work of pianist-composer Frederic Rzewski in a marathon day of three concerts at 3 pm\, 5:30 pm\, and 8 pm.\nhttps://www.kaufmanmusiccenter.org/mch/event/piano-dialogues-the-pianists-united-rzewski-in-new-york/ URL:https://emfinstitute.org/event/the-pianists-united-rzewski-in-new-york/ LOCATION:Merkin Hall – Abraham Goodman House
\, 129 West 67th Street
(btw Broadway and Amsterdam)\, New York\, NY\, 10023\, United States CATEGORIES:Concert ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/11/Merkin-Lisa_Moore_1200x1200_-_Peter_Hislop.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Lisbon:20230505T190000 DTEND;TZID=Europe/Lisbon:20230513T170000 DTSTAMP:20260521T230610 CREATED:20230308T191441Z LAST-MODIFIED:20230308T191441Z UID:10001442-1683313200-1683997200@emfinstitute.org SUMMARY:Portugal - Música Viva 2023 - 29th Edition DESCRIPTION:Festival\nSond’ar-Te Electric Ensemble\nMay 5\, 2023 21:00 – 22:00 \nSonoscopy\nMay 6\, 2023 19:30 – 20:30 \nSigma Project\nMay 8\, 2023 19:30 – 20:30 \nFrancis Dhomont “Jeu D’écritures”\nMay 9\, 2023 19:30 – 20:30 \nNatasha Barrett “Impossible Moments”\nMay 9\, 2023 21:00 – 22:00 \nConcrete [Lab] Ensemble\nMay 10\, 2023 19:30 – 21:00 \nOpera By Vítor Rua – Sonic Rumble With Green Mustard\nMay 11\, 2023 19:30 – 21:00 \nHumorictus Ensemble\nMay 12\, 2023 19:30 – 21:00 \nTrio Sond’ar-Te\nMay 13\, 2023 19:30 – 21:00 URL:https://emfinstitute.org/event/portugal-musica-viva-2023-29th-edition/ LOCATION:O’culto Da Ajuda\,\, 25 Travessa Zebras\, Lisbon\, 1300\, Portugal CATEGORIES:Concert,Festival ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/03/musica-viva-Natsha-1000X667.png END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230505 DTEND;VALUE=DATE:20230506 DTSTAMP:20260521T230610 CREATED:20230319T195807Z LAST-MODIFIED:20230319T201816Z UID:10001449-1683244800-1683331199@emfinstitute.org SUMMARY:ICMC 2023 - Call for Submissions DESCRIPTION:ICMC 2023 will be held at the School of Music\, The Chinese University of Hong Kong\, Shenzhen (China)\, October 15-20\, 2023 \nICMC 2023 invites submissions of music works\, papers\, installations and demos from the worldwide composers and musicians. This conference will be presented in hybrid format\, which means all the sessions will be presented online and in-person. There are no submission fees for all the categories. \nImportant Dates\nSUBMISSION DEADLINE: MAY 5\, 2023 \n\n \n ICMC 2023 - Call for Submissions\n \n May 5\, 2023 -School of Music\n \n \n Shenzhen\,\n\n\n\n China\n \n \n \n Submission Deadline Passed\n \n \n \n Find out more\n \n \nSELECTED WORKS ANNOUNCEMENT: JUNE 28 – 30\, 2023 \nPROGRAM ANNOUNCEMENT: JULY 28\, 2023 \nICMC “SOUND OF CHANGES” CONFERENCE: OCTOBER 15-20\, 2023\n \nHere is the website for preliminary information and submission rules.\nhttp://icmc2023.org.cn/_pc_/ \nInternational Computer Music Conference (ICMC) is the largest and most important international academic conference in the field of computer music. It is held annually in different countries around the world\, and it has been held for 47 years since 1974. As an innovative academic platform\, which integrates music\, art\, culture\, science\, technology\, and other disciplines\, the ICMC has received extensive attention in the music and technology community and music industry. URL:https://emfinstitute.org/event/icmc-2023-the-sound-of-changes-2/ LOCATION:The Chinese University of Hong Kong\, School of Music\, Shenzhen\, China CATEGORIES:Call for Submissions ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/03/ICMC-2023-Conf.png ORGANIZER;CN="ICMA - International Computer Music Association":MAILTO:icma@umich.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Copenhagen:20230429T180000 DTEND;TZID=Europe/Copenhagen:20230429T180000 DTSTAMP:20260521T230610 CREATED:20230308T184915Z LAST-MODIFIED:20230308T185455Z UID:10001440-1682791200-1682791200@emfinstitute.org SUMMARY:Sweden – Film Screening “Echos” (2021) DESCRIPTION:16:00 Artist Talk with François J. Bonnet and Katja Heldt about Éliane Radigue – in collaboration with the Division of Musicology at Lunds University / Sound Enivronment Center in Lund. Location: Black Room \n18:00 Screening: Echos (2021) by Eléonore Huisse and François J. Bonnet. A sensitive portrait of Éliane Radigue based on intimacy and friendship. Sound Enivronment Center in Lund. \nhttps://www.iac.lu.se/projects/intonal-festival-2023/ \nINTONAL is an annual festival for experimental and electronic music that has been held in Malmö. The focus of the festival is to offer an international programme of experimental and electronic music covering a wide range of genres\, subgenres and unique expressions. Besides established artists within the electronic avant garde and acts bordering towards sound art\, a hefty club oriented programme will also present DJs acting within an innovative new scene for dance music. Parallel to this there is also a number of installation exhibitions and artist talks. \nVisit the Intonal page – intonalfestival.com URL:https://emfinstitute.org/event/sweden-film-screening-echos-2021/ LOCATION:Black Room Lund University\, Helgonavägen 3\, Lund\, 223 62\, Sweden CATEGORIES:Film,Lecture ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/03/Eliane_Radigue_and_Cat-1000x667-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Copenhagen:20230428T213000 DTEND;TZID=Europe/Copenhagen:20230428T213000 DTSTAMP:20260521T230610 CREATED:20230308T183754Z LAST-MODIFIED:20230308T184149Z UID:10001439-1682717400-1682717400@emfinstitute.org SUMMARY:Sweden – Alessandro Perini plays Bernard Parmegiani DESCRIPTION:Bernard Parmigiani’s “De Natura Sonorum” – whose title echoes Lucretius’ “De Natura Sonorum” \, explores the multiplicity of sound possibilities. This profuse work\, with countless discoveries and dazzling intuitions\, has influenced several generations of composers and remains a truly seminal piece in the experimental music soundscape. \nINTONAL is an annual festival for experimental and electronic music that has been held in Malmö. The focus of the festival is to offer an international programme of experimental and electronic music covering a wide range of genres\, subgenres and unique expressions. Besides established artists within the electronic avant garde and acts bordering towards sound art\, a hefty club oriented programme will also present DJs acting within an innovative new scene for dance music. Parallel to this there is also a number of installation exhibitions and artist talks. \nVisit the Intonal page – intonalfestival.com URL:https://emfinstitute.org/event/sweden-alessandro-perini-plays-bernard-parmegiani/ LOCATION:Lund University\, Helgonavägen 3\, Lund\, 223 62\, Sweden CATEGORIES:Concert,Festival ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/03/Parmigiani-IAC_INTONAL_2023_MALL_Concert_Day_2_Alessandro_Perini-1000x667-1.png END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230426 DTEND;VALUE=DATE:20230502 DTSTAMP:20260521T230610 CREATED:20230308T194227Z LAST-MODIFIED:20230308T194227Z UID:10001444-1682467200-1682985599@emfinstitute.org SUMMARY:Intonal 2023 DESCRIPTION:A SANCTUARY FOR EXPERIMENTAL MINDS\nIntonal is an annual festival for experimental and electronic music that has been held in Malmö\, Sweden since 2015. The focus of the festival is to offer an international programme of experimental and electronic music covering a wide range of genres\, subgenres\, and unique expressions. URL:https://emfinstitute.org/event/intonal-2023/ LOCATION:Inkonst\, Bergsgatan 29\, Malmö\, 214 22\, Sweden ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/03/Intonal-1000x667-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230425T200000 DTEND;TZID=America/Los_Angeles:20230425T220000 DTSTAMP:20260521T230610 CREATED:20230223T202245Z LAST-MODIFIED:20230223T203129Z UID:10000392-1682452800-1682460000@emfinstitute.org SUMMARY:Three waiting-rooms DESCRIPTION:Mattie Barbier\, Tim Feeney\, Stephanie Cheng Smith and Cassia Streb invite the audience to explore a site specific\, collectively-conceived project blurring the sonic boundaries between the indoor and outdoor\, the live and recorded.  Three sounding sculptures via speakers and objects in the lobby; three sounding performances in the warehouse; three ways of building and shifting perspectives. URL:https://emfinstitute.org/event/three-waiting-rooms/ LOCATION:Monk Space\, 4414 W 2nd Street\, Los Angeles\, 90004\, United States CATEGORIES:Installation,Performance ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2023/02/BrightNewMusic-ThreeWaitingRooms.jpg ORGANIZER;CN="Brightwork newmusic":MAILTO:info@brightworknewmusic.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20230423T170000 DTEND;TZID=America/Chicago:20230423T170000 DTSTAMP:20260521T230610 CREATED:20230331T201526Z LAST-MODIFIED:20230331T201647Z UID:10001450-1682269200-1682269200@emfinstitute.org SUMMARY:NUNC! 5: Selections from the Call for Electronics DESCRIPTION:Han geul Lee\, monolith\nElliott Lupp\, STRIX\nMaya Nguyen\, whisper wind water\nMauricio Pauly\, improv set\nJay Alan Yim\, The Rope Dancer Accompanies Herself With Her Shadows \nOne of the leading conferences for new music in the world\, the Northwestern University New Music Conference (NUNC!) brings together composers\, performing musicians\, scholars\, and other new music advocates for a series of workshops\, panel discussions\, and concerts. URL:https://emfinstitute.org/event/nunc-5-selections-from-the-call-for-electronics/ LOCATION:Ryan Opera Theater\, 70 Arts Circle Drive\, Evanston\, IL\, 60208-2405\, United States CATEGORIES:Concert,Conference ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/03/NUNC-Conference.png ORGANIZER;CN="Northwestern University":MAILTO:newmusic@northwestern.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Oslo:20230422T200000 DTEND;TZID=Europe/Oslo:20230422T200000 DTSTAMP:20260521T230610 CREATED:20230111T205538Z LAST-MODIFIED:20230111T205805Z UID:10000095-1682193600-1682193600@emfinstitute.org SUMMARY:Norway: Catherine Christer Hennix’s Kamigaku Ensemble Performance DESCRIPTION:  \n  \nCatherine Christer Hennix’s newly formed Kamigaku Ensemble explores the harmonic state that emerges when sustained tones are precisely tuned to their difference tones. By electronically intensifying these tones\, the group immerse listeners in majestic waves of harmonic sound. \nSHARED FROM BLANK FORMS\, Brooklyn\, NY 11238 URL:https://emfinstitute.org/event/norway-catherine-christer-hennixs-kamigaku-ensemble-performance/ LOCATION:MUCH\, Bjørvika\, Edvard Munchs plass 1\,\, Oslo\, 0194\, Norway CATEGORIES:Concert ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/01/christerpsd-1000x667-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230421T210000 DTEND;TZID=America/New_York:20230421T210000 DTSTAMP:20260521T230610 CREATED:20230405T171409Z LAST-MODIFIED:20230405T171409Z UID:10001454-1682110800-1682110800@emfinstitute.org SUMMARY:#The Restless Factory: Phill Niblock & Katherine Liberovskaya Dafne Vicente-Sandoval DESCRIPTION:Phill Niblock & Katherine Liberovskaya (New York) \nDafne Vicente-Sandoval (Paris) Bassoon [Live]\n2 sets: \n1 – Live video mixing by Katherine Liberovskaya + live sound collage by Phill Niblock \n2 – World premiere of “NuDaf”\, a 65-minute piece for bassoon by Phill Niblock\, composed for and performed by Dafne Vicente-Sandoval\, with film/video by Phill Niblock \nPresented by La Fabrique Agitée \n  URL:https://emfinstitute.org/event/the-restless-factory-phill-niblock-katherine-liberovskaya-dafne-vicente-sandoval/ LOCATION:Les Instants Chavirés\, 7 Rue Richard Lenoir\, Montreuil\, 93100\, France CATEGORIES:Concert,Film,Premiere ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/04/Niblock-France-100x666-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230413T200000 DTEND;TZID=America/New_York:20230413T200000 DTSTAMP:20260521T230610 CREATED:20230404T172437Z LAST-MODIFIED:20230404T173010Z UID:10001453-1681416000-1681416000@emfinstitute.org SUMMARY:Hear Now Music Festival DESCRIPTION:Kick off concert! \nElectroacoustic concert from People Inside Electronics (PIE) and Brightwork Ensemble. \nPeople Inside Electronics (PIE) is a concert series devoted to the performance and promotion of live electroacoustic music in Los Angeles. \nBrightwork Ensemble is a classical new music sextet based in Los Angeles\, California. URL:https://emfinstitute.org/event/hear-now-music-festival-2/ LOCATION:2220 Arts & Archives (Main Theater)\, 2220 Beverly Blvd\, Los Angeles\, CA\, 90057\, United States CATEGORIES:Concert,Festival ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/04/Hear-Now-Tix-available-header-1000x562-1.png END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230413 DTEND;VALUE=DATE:20230605 DTSTAMP:20260521T230610 CREATED:20230403T205251Z LAST-MODIFIED:20230403T205417Z UID:10001452-1681344000-1685923199@emfinstitute.org SUMMARY:Sound in Space\, Sound in Place DESCRIPTION:Sound in Space\, Sound in Place\, a survey of contemporary sound art\, foregrounds sound and listening as powerful shapers of everyday experience and draws attention to sound’s unique properties as an artistic medium. \nCall for Sounds\nThe New Bedford Art Museum invites New Bedford residents to submit short recordings of the sounds that make up New Bedford’s unique “soundscape.” What are the sounds that make New Bedford familiar—like home? What sounds anchor you in place? What sounds would you miss if they suddenly went silent? We want to hear what you hear! NBAM will incorporate a selection of these sounds into an exhibition planned for April 2023\, as well as an interactive online map—scheduled to launch at the same time. \nSpecial Discussion\nApril 14\, 2023 6:00 – 7:30 pm\nExploration of Sound Spaces – A Survey\nJohn Driscoll and Phil Edelstein of Composers Inside Electronics will present views of a number of works that they have collaborated on over a 50-year period. URL:https://emfinstitute.org/event/sound-in-space-sound-in-place-2/ LOCATION:New Bedford Art Museum/ArtWorks!\, 608 Pleasant Street\, New Bedford\, MA\, 02740\, United States CATEGORIES:Call for Submissions,Concert,Installation ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2023/04/CF-Horn-Wall-1000x667-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230410T235900 DTEND;TZID=America/New_York:20230410T235900 DTSTAMP:20260521T230610 CREATED:20220315T204828Z LAST-MODIFIED:20230319T204040Z UID:10000074-1681171140-1681171140@emfinstitute.org SUMMARY:The 2023 Salvatore Martirano Memorial Composition Award DESCRIPTION:Deadline: April 10\, 2023 11:59PM CST (23:59 GMT-0600). \nThe University of Illinois School of Music and Global Crossroads Living-Learning Community announce the 27th Annual Salvatore Martirano Memorial Composition Award. \nEligibility: Any composer\, regardless of age or nationality is eligible. Previous winners\, as well as faculty and currently enrolled students at the University of Illinois are ineligible for the award. \nAwards: First Prize cash award of $1000 and second prize cash award of $500 plus performances by the Illinois Modern Ensemble in the fall of 2023 on the 27th Annual Martirano Award Concert on the campus of the University of Illinois. Additional awards and performances may be given at the discretion of the judges \nJudges: A panel of judges consisting of international composers and University of Illinois music composition faculty members will select the winning compositions. \nEntries must be submitted and paid for online by Monday\, April 10\, 2023 11:59PM CST (23:59 GMT-0600).\n\n \n The 2023 Salvatore Martirano Memorial Composition Award\n \n April 10\, 2023 -225 W 22nd St\n \n \n New York\,\n\n NY\n\n 10011\n\n United States\n \n \n \n Submission Deadline Passed\n \n \n \n Find out more\n \n \nDETAILS \nAbout Sal Martirano\nMartirano was among the very first composers to use and invent new computer technology for composition. He created two electronic music systems\, the first being the Sal-Mar Construction and later the YahaSALmaMac. The Sal-Mar Construction was called “the world’s first composing machine” by the Science Digest. Composer Joel Chadabe noted that “The Sal-Mar Construction is a historically important musical event and a stunning and classical display of individual American invention. \nMartirano’s best-known composition is “L’s G.A.” (1967) for gassed-masked politico\, helium bomb\, three 16mm movie projectors and 2 channel tape recorder. \nhttps://music.illinois.edu/about-salvatore-martirano URL:https://emfinstitute.org/event/the-2023-salvatore-martirano-memorial-composition-award-2/ LOCATION:NY CATEGORIES:Call for Submissions ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/11/MARTIRANO-Sal_rotate-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230407 DTEND;VALUE=DATE:20230409 DTSTAMP:20260521T230610 CREATED:20230223T214057Z LAST-MODIFIED:20230223T214204Z UID:10000393-1680825600-1680998399@emfinstitute.org SUMMARY:SEAMUS 2023 Conference DESCRIPTION:The Society for Electro-Acoustic Music in the United States (SEAMUS) 2023 Conference will occur in two parts: the first in-person in NYC\, and the second as a rhizomatic series of events in local areas. \nPart I:\nPart I of the conference will be hosted by SEAMUS using spaces at the DiMenna Center in NYC. \nPaper presentations\, workshops\, panel discussions\, and installations will take place at NYU Music Department facilities. \nPart II: Rhizomatic Local Event Presentation\nA day of collected asynchronous rhizomatically linked remote events\, moderated with a live feed in April (dates to be determined by hosts). This event will then be archived on the SEAMUS site. \nVenues\nThe DiMenna Center for Classical Music\n450 West 37th Street\, New York\, NY 10018\n(212) 594-6100\nhttps://dimennacenter.org/ \nNew York University Bobst Library’s Avery Fisher Center\n70 West 4th Street\, New York\, NY 10012\n(212) 998-1212 \nNew York University’s Silver Center\n100 Washington Sq E (at Washington Sq N)\, New York\, NY 10003\n(212) 998-8300 \n  URL:https://emfinstitute.org/event/seamus-2023-conference/ LOCATION:New York University Bobst Library’s Avery Fisher Center\, 70 West 4th Street\, New York\, NY\, 10012\, United States CATEGORIES:Conference,Performance ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/02/SEAMUS-logo.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20230328T190000 DTEND;TZID=America/New_York:20230328T190000 DTSTAMP:20260521T230610 CREATED:20230111T210034Z LAST-MODIFIED:20230111T212835Z UID:10000096-1680030000-1680030000@emfinstitute.org SUMMARY:USA: Caterina Barbieri\, Eli Keszler\, & Marie Davidson (DJ Set) DESCRIPTION:Caterina Barbieri is an Italian composer who explores themes related to machine intelligence and object-oriented perception in sound. Caterina explores the psycho-physical effects of repetition and pattern-based operations in music. URL:https://emfinstitute.org/event/caterina-barbieri-eli-keszler-marie-davidson-dj-set/ LOCATION:Pioneer Works\, 159 Pioneer Street\, Brooklyn\, NY\, 12231\, United States CATEGORIES:Concert ATTACH;FMTTYPE=image/png:https://emfinstitute.org/wp-content/uploads/2023/01/CatherineBarbieri-1000x667-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20230326T110000 DTEND;TZID=UTC:20230326T180000 DTSTAMP:20260521T230610 CREATED:20220902T195822Z LAST-MODIFIED:20230316T151629Z UID:10000049-1679828400-1679853600@emfinstitute.org SUMMARY:Germany: On Air — The Sound of the Material in the Art of the 1950s to 1970s DESCRIPTION:The Kunstmuseen Krefeld are dedicating an exhibition titled On Air to the invisible material of sound in the art of the 1950s to ’70s. In this experimental period\, boundaries in art were broken down\, and artists processed materials that had previously played no role in the art context. Sounds\, tones\, noises\, signals\, and voices also became “substantial” sculptural material. Hearing now enriched sensual perception. Starting with machine sculptures\, sound flowed into genres such as performance\, installation\, and new media\, which were just beginning to emerge. The focus is on sound objects by artists such as\, among others\, Yaakov Agam\, Joseph Beuys\, Hermann Goepfert\, Jannis Kounellis\, Bruce Nauman\, Robert Rauschenberg\, Jean Tinguely\, David Tudor and Timm Ulrichs. The exhibition will be accompanied by a catalog (German/English). URL:https://emfinstitute.org/event/on-air-the-sound-of-the-material-in-the-art-of-the-1950s-to-1970s/ LOCATION:Kaiser Wilhelm Museum\, Joseph-Beuys-Platz 1\, Krefeld\, 47798\, Germany CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/09/6_LiveonAir_Goepfert.jpg END:VEVENT END:VCALENDAR