EMF Institute

Call for Submissions – Radio – A Space for Sonic Art
2023-05-15 23:59 (America/New_York)
ORGANISED SOUND
Call for Submissions – Volume 29, Number 1
Issue thematic title: “Radio – A Space for Sonic Art”
Date of Publication: April 2024
Publishers: Cambridge University Press
Issue co-ordinator: Michal Rataj (michal.rataj@hamu.cz)
Deadline for submission: 15 May 2023

Call for Submissions – Radio – A Space for Sonic Art

May 15, 2023

Submission Deadline Passed

Find out more

Background:
Since the beginning of the 20th century radio as a medium has built all kinds of synapses in societies, cultural practices and art discourses. Despite the fact that it was expected to be overshadowed by the rise of television, it has continued to challenge norms within a wide variety of creativity across art disciplines. The internet has been questioning the position of radio again, yet it is still radio as sound medium that provokes sonic imagination from surprising creative angles, which do not only emerge from within public service environments.
Across the history of the radio medium we not only approach fascination with bi-directional communication, but also an unprecedented subversive emphasis on aural approaches despite the continuously increasing visuality of the past century. Along with the history of radio we have been witnessing the rise of new studio technologies and distribution strategies, which have not only influenced radical change regarding the listening experience, but have also directly influenced the way artists make the art of sound (let’s call it music). New technologies and instruments have emerged from inside radio studios in order to reveal completely new timbral and spatial experiences of the work of composers, poets, theatre and film makers, as well as visual artists. Listeners are part of a democratic “listening space for all” (Klaus Schöning 1997), while any distant spaces become part of the new radio space (F. T. Marinetti & Pino Masnata 1933).
Already at the beginning of public radio we can identify how differently traditional acoustic content had to be approached when being picked up by microphones inside the radio studio (Kurt Weill 1975). This directly influenced not only how new music started to be recorded but also what kinds of new sonic creativity were about to emerge, including musique concrète, Hörspiel, sound poetry, sound film, soundscape and radio opera, among many others.
Radio as medium in contemporary art practice has developed from its primary purpose of sound distribution into a variety of creative and social strategies, where sound has turned out to be the principal common denominator across creative disciplines, social communities and cultural regions. At the threshold of the second quarter of the 21st century we are questioning the role of radio inside an intermedia discourse with respect to its history, subversive social potential, imaginative potential and audio creativity, as well as its power to build bridges across communities of artists and listeners.
This issue of Organised Sound will be the first dedicated to sonic exploration by way of the radio medium over the decades, as well as its future potential.

Topics for investigation might include:
• Historical aspects of radio with respect to the current intermedia scene
• Creative and social potential of audio creativity
• Radio potential challenged by the internet
• Audio creativity challenging mainstream radio content
• Approaches of public service radio stations to innovative audio content
• Independent radio initiatives as cultural and social subversion
• The radio as musical instrument
• Radiophony as compositional strategy
• Visual aspects of radiophonic creation
• Aesthetic aspects of making for radio
• Radio making as politicsThis call is open to all, and we wish particularly to encourage submissions from often under-represented groups in these fora, and also creatively and collaboratively-produced articles.Furthermore, as always, submissions unrelated to the theme but relevant to the journal’s areas of focus are always welcome.

References
• Marinetti, F. T. & Masnata, P. 1991. La Radia (1933). In D. Kahn & G. Whitehead (eds.) Wireles Imagination. Sound, radio and the avant-garde. Cambridge MA: MIT Press, 266 – 268.
• Schöning, K. 1997. Klangreise – Sound Journey. Studio Akustische Kunst. 155 Werke 1968 – 1997. Köln: WDR.
• Weill, K. 1975. Der Rundfunk und die Umschichtung des Musiklebens (1926). In: Weill, K. Ausgewählte Schriften. Frankfurt am Main: Suhrkamp Taschenbuch, 285.

SUBMISSION DEADLINE: 15 May 2023
SUBMISSION FORMAT: Notes for Contributors including how to submit on Scholar One and further details can be obtained from the inside back cover of published issues of Organised Sound or at the following url:
https://www.cambridge.org/core/journals/organised-sound/information/instructions-contributors (and download the pdf)General queries should be sent to:
os@dmu.ac.uk, not to the guest editor.Hard copy of articles and images and other material (e.g., sound and video files, etc. – normally max. 15’ sound files or 8’ movie files), both only when requested, should be submitted to:
Prof. Leigh Landy
Organised Sound
Clephan Building
De Montfort University
Leicester LE1 9BH, UK.
Accepted articles will be published online via FirstView after copy editing prior to the paper version of the journal’s publication.

Editor: Leigh Landy; Associate Editor: James Andean
Founding Editors: Ross Kirk, Tony Myatt and Richard Orton†
Regional Editors: Ricardo Dal Farra, Jøran Rudi, Margaret Schedel, Barry Truax, Ian Whalley, David Worrall, Lonce Wyse
International Editorial Board: Marc Battier, Manuella Blackburn, Alessandro Cipriani, Simon Emmerson, Kenneth Fields, Rajmil Fischman, Eduardo Miranda, Rosemary Mountain, Garth Paine, Mary Simoni, Martin Supper, Daniel Teruggi

TENOR 2023 - Concert #3
2023-05-16 17:00 (America/New_York) | New England Conservatory of Music, Plimpton Shattuck Black Box Theatre, 255 St. Botolph St., Boston, 02115, United States
CONCERT #3
Anders Lind
Music for Upright Bass and Mobile Phone Orchestra
Simon Hutchinson
Baion
Lauren McCall
Kaleidoscore [NeoScore competition finalist]
duo B. : Lisa Mezzacappa + Jason Levis; with network-based scoring system designed & programmed by Tim Perkis
Incomplete, Open

TENOR 2023 - Concert #4
2023-05-16 20:00 (America/New_York) | New England Conservatory of Music, Plimpton Shattuck Black Box Theatre, 255 St. Botolph St., Boston, 02115, United States
CONCERT #4
Lei Liang
From Six Seasons (for any number of improvising musicians and pre-recorded sounds), “Season 4: Migration”
Kitty Xiao [DIGISCORE / TENOR BOSTON 2023 commissioned composer]
tendons for transformation
Ingrid Laubrock [DIGISCORE / TENOR BOSTON 2023 commissioned composer]
Paths/Fields
Daniel McKemie
Seaswell, for four snare drums
Benjamin Eidson
VISS 1 for Trumpet
Jessica Shand, Manuel Cherep, Jack Armitage
MOTHERBIRD

Zeena Parkins & Laetitia Sonami
2023-05-17 20:00 (America/New_York) | Roulette, 509 Atlantic Avenue (Corner of Third Avenue), Brooklyn, NY, 11217, United States
Electro-acoustic composer/improviser Zeena Parkins and sound artist/performer/instrument builder Laetitia Sonami will perform a new collaborative work as well as new solos.

A to Z Electronic
2023-05-18 19:00 - 21:00 (America/New_York) | Gallery MC, 549 W 52nd St, New York, NY, 10019, United States
Twenty-six composers, in alphabetical order (first, middle or last names), present their short electronic music compositions. The event will be mostly electronic, with some electro-acoustic music presented as well.
Composers: Arthur Kampela, Bernhard Philipp Eder, Carlos Castro, Dan Cooper, Shanan Estreicher, Ford Fourqurean, Patrick Grant, Adam Holzman, Velizar Iordanov, Joseph Martin Waters, Howie Kenty, Lukas Ligeti, Florian Magnus Maier, Natasha Bogojevich, Otto Castro, Gene Pritsker, Quincy Jones, David Rothenberg, Zach Seely, Roger Trefousse, Vladimir Ussachevsky, Aleksandra Vrebalov, Randall Woolf, Amy X Neuburg, Carolyn Yarnell, Lev Zhurbin.

France – Martin Matalon score for the Fritz Lang film Metropolis
2023-05-19 18:30 - 2023-05-20 17:00 (Europe/Paris) | Philharmonie de Paris – Grande salle Pierre Boulez, 221 Av. Jean Jaurès, Paris, 75019, France
For the restored version of the film Metropolis, the Argentinian composer Martin Matalon had composed in 1995 an original score, initially intended for sixteen instrumentalists and electronics.
Orchestre de Paris
Kazushi Ōno conductor
Etienne Démoulin IRCAM electronics
Before the concert
May 20, 6:30pm | Salle de conférence, Philharmonie
Meet Martin Matalon

Comp-Play-Comp Marathon: ‘Name Dropping'
2023-05-21 18:00 (America/New_York) | DROM, 85 Avenue A, New York, NY, 10009, United States
Showcasing more than twenty composer-performers inspired by the ‘Name’ theme. Since many of today’s composers are also great performers, CompCord again calls attention to composers’ exceptional skills as interpreters of their own works.
Composer/Performers: Beth Anderson, Dennis Brandner, Vicky Cheng, Jiwon Choi, John Clark, Marshall Coid, Dan Cooper, Valerie Geffner, Debra Kaye, Jung Hyun Kim, Yejune Kim, Audrey Morse, Mark Kostabi, Tim Mukherjee, Alon Nechushtan, Daniel Palkowski, Gene Pritsker, Steve Sandberg,William Schimmel, Elias Swift, David Taylor, Mark Zaki.
Other Performers: Seth Himmelhoch – guitar, Andrew Harkin – bass, Josh Walker – sax, Aron Caceres – bass, Robert C. Ford – poet / recitation, Others TBA

Oroboros a sound installation
2023-06-02 11:00 - 17:00 (America/New_York) | Harvestworks Arts and Technology Program, Building 10A, Nolan Park, Governors Island, New York, 11231, United States
June 2-9 11:00am – 5:00pm — Oroboros by Bob Bellerue is an ever-changing sequence of vocal recordings that are spatialized through the 3D speaker array, with additional sound objects made out speaker drivers and resonant metal.
June 9 7:00pm — Eternities performance with Katie Porter

Just Intonation and the World of Secret Sounds
2023-06-03 14:00 (America/New_York) | FourOneOne, 411 Kent Avenue, Brooklyn, NY, 11249, United States
A Workshop with David First at FourOneOne, Brooklyn, NY
• Is there a structured vibrational precision to the Universe?
• Have you ever wondered why there are infinite shades of color but only 12 notes?
• Is music theory more about politics & power than physics?
• If microtonality implies infinite shades of pitch, where to begin? Where to end?
• Why can it be said that pitch & rhythm are the same thing?
Composer/multi-instrumentalist David First (The Western Enisphere/Dave’s Waves Sonic Luncheonette/Notekillers) will explore, explain, and demonstrate the basic mathematical constructions behind the overtone series, its recontextualization into various just intonation applications, and show attendees the most practical methods for expressing these sounds on instruments not designed to play them. He will also introduce his concepts of Gestural Improvisation—methods for revealing a full scale of melodic values inside a half-step or even a single note, correlations between poly-rhythmic activity and frequency ratios, the virtuosity of slowness, and the magic of difference/beating tones (or how 1+1=3).
Attendees are requested to bring a laptop and their instruments. Everyone will be given a simple Max/MSP just intonation drone app for use during the workshop and further creative explorations after.
Tickets $25 until May 27th, $30 thereafter.

The Rensselear Polytechnic Institute Electronic Arts
2023-06-09 11:00 - 17:00 (America/New_York) | Harvestworks Arts and Technology Program, Building 10A, Nolan Park, Governors Island, New York, 11231, United States
June 9-18 —The Rensselear Polytechnic Institute Electronic Arts exhibition showcases a host of immersive and interactive audio-visual installations, multichannel music compositions, and performances featuring live coding, and a special live event featuring Pauline Oliveros’ Expanded Instrument System (EIS).

Anaïs Maviel, Rashaan Carter & Mimi A.
2023-06-17 19:00 (America/New_York) | Harvestworks Arts and Technology Program, Building 10A, Nolan Park, Governors Island, New York, 11231, United States
In the context of their joint research in the healing properties of music in electro-acoustic music performance, Rashaan Carter, Anaïs Maviel & Mimi A. invite you to join their work-in-progress immersive sound bath and binaural beats bouquet.

USA: NYCEMF 2023
2023-06-19 - 2023-06-25 | TBD, TBD
2023 New York City Electroacoustic Festival is one of the largest electroacoustic festivals of its kind in the world. The works presented each year are chosen by a panel of internationally respected composers and musicians. This year’s festival will take place on June 19-25, 2023 in New York City.

For details: https://nycemf.org/

VenuesLoreto TheaterSheen Center18 Bleecker St, New York, NY 10012

Black Box TheatreNew York University82 Washington Square E, New York, NY 10003

Composers

*member EMF Institute

Enrico DorigattiRyan Ross SmithWilliam Bolles-BeavenCarlos I. Toro-TobonChristopher BiggsRodrigo PascaleMaurice WrightSerendipitous Liquidators

Tine Surel LangeJason BolteSeth Andrew Davis & Ian O’NeillAnruo ChengFastusBlaine BlackJames CrosonJulius BucsisBen FuhrmanMassimo MassimiAndre BregegerePak-kan PONG

Grace ChoiJung Hyun LeeDylan WardRagnar GrippeWilfried JentzschDariusz MazurowskiJared Lee KnightDavid Berezan

Mantautas KrukauskasAleksandra BilińskaMichael R HoodCecilia SuhrThomas ZamrozRodrigo F. Cádiz

Anders SjölinVictor ZhengDaniel KarcherMomilani Ramstrum & Antoine GoudreauRodney DuPlessisYu-Ren HuangIan WhillockMu-Hsi ChenChaelin KimYung-Hsin, Cheng

Rainer BürckEvan CourtneySarah LemieuxJohn CrawfordScott Deal and Jason PalamaraMarc AingerSebastian Nagretshei (Yi-Cheng Lin)Anna RubinSean PeuquetYi Xuan ChenFred Szymanski

Ted MooreOmar Costa Hamido & Scott OshiroYemin OhMonte TaylorHan Xu 许瀚Matthew Goodheart, Shawn LawsonGreg Haynes

Ayako SatoChung Eun KimNikko MusuracaGustavo ChabHyojoo KimFelipe OtondoJuan VasquezTimothy Crist

Jeff HerriottBryn DavisJudith ShatinJonathan WilsonHubert HoweEunsong ShinNick FellsAaron EinbondLyn GoeringerBarry Moon

Bradley RobinHanae AzumaUrsel QuintToshiichiro IueIvica Ico Bukvic

Zach ThomasLars BröndumMaria MykolenkoEd OsbornMikel KuehnLaurie RadfordSunhuimei XiaJohannes S. SistermannsClaudia Robles Angel

Michael S RothkopfRikako KabashimaAlfonso BelfioreKari VakevaWalker Smith*Mary SimoniRina HAIPaul ElwoodWang ZiyuNathan BowenJoakim SandgrenAlejandro Colavita

Jennifer B. MerkowitzTiffany M. SkidmoreManolis EkmektsoglouXuesi XuJonathan PitkinFrieda Abtan

Claire HuMilan SchellNima FarzanehTimothy W. McDunnBryan Donghyuk LeeAn Ting LeeSeongah ShinMarie-Hélène BernardIvyXuEasyClemens von Reusner

Leonello TarabellaXi YaoRaphael RadnaFernando EgidoJames DashowKarl F. GerberChi WangMichael GoginsGerald EckertMara Helmuth

Kian Ravaei*Anthony Paul De RitisGintas KraptavičiusMaja Cerar, Douglas Geers and Daria GeersAkiko HatakeyamaHanbeen LeeMercedes Krapovickas

Yuseok SeolErik NyströmAntonio ForastieroJinhui LiangJoel Gressel*Mikako MizunoChris ArrellLuhee Hyunkyung ShinRossella CalellaSerkan SevilgenAngelo Bello

Yasuhiro OtaniYu-Chung TsengMichael RhoadesChristian DimpkerDavid TaddieChristian BanasikMei-ling LeeDavid DowJavier Alejandro Garavaglia

Paul A. OehlersBenjamin Alan KubaczekJohn GibsonFengShuoStéphane BorrelMinato SakamotoAileen Ping-Chen Shen (Aylnn)Armando Vanzi

Christopher CookPatricia EniglChristian EloyMarcelo ConduruMario CáceresHaeyun KimShuyu LinNingxin ZhangSimon HutchinsonDaniel Gomes

Kramer ElwellVerena HentschelJohn RitzLarry GaabJoong-Hoon KangCraig PeasleeKyle VanderburgMaximilian YipRobin Gillespie

Sunset Meditative Performance
2023-06-24 20:00 (America/New_York) | Harvestworks Arts and Technology Program, Building 10A, Nolan Park, Governors Island, New York, 11231, United States
C. Lavender – Sunset Meditative Performance will provide listeners with a moment of tranquility during sunset. An electro-acoustic performance that will feature brainwave modulating digital audio, presented in surround sound, with live gong playing.

Greece: 3rd International Conference on Timbre
2023-07-08 09:00 - 2023-07-12 21:00 (Europe/Helsinki) | Teloglion Foundation of Arts, Thessaloniki, 546 36
Timbre 2023 will feature a program of new research and work in progress, panel sessions and tutorials, headlined by keynote talks discussing timbre from ‘unexpected’ perspectives.

Eastman School of Music: Two tenure- eligible, full-time faculty positions
2023-09-11 08:00 - 2023-10-15 17:00 (America/New_York)
The Eastman School of Music of the University of Rochester invites applications for two tenure- eligible, full-time faculty appointments in Music Composition beginning 1 July 2024. Ranks and salaries will be commensurate with experience.
Details: https://apply.interfolio.com/130171

University of Oregon School of Music and Dance - Assistant Professor of Music Technology postion open
2023-09-11 08:00 - 2023-11-01 17:00 (America/New_York)
The University of Oregon School of Music and Dance is seeking highly qualified applicants for an Assistant Professor of Music Technology position with a concentration in Digital Game and Data-related Music and Sound that begins September 16, 2024.
The position comprises creative and scholarly research as well as teaching duties. Teaching responsibilities will center on courses in data sonification and digital game music and sound and will likely include other courses in the current music technology curricula such as Computer Music Composition, Studies in Digital Audio Workstations, Interactive Media Performance, SensorMusik, Musical Performance Networks, History of Electroacoustic Music, Elements of Electronic Music, and Performance with Data-driven Instruments. Research and creative activities may overlap substantially with the teaching duties named above but may expand to any area of the music technology discipline including areas such as AI Music, Algorithmic Composition, Machine Learning, Interactive Installations, Immersive Environments, Spatial Audio, Soundscape Composition, and Telematic Performance.
Review of applications begins November 1, 2023 and continues until position is filled.
The link to apply for the position can be found at:
https://careers.uoregon.edu/en-us/job/532096/assistant-professor-of-music-technology-digital-game-and-datarelated-music-and-sound

Brightwork newmusic: Für Clarence: Celebrating the Life and Music of Klarenz Barlow
2023-09-12 20:00 (America/New_York) | Monk Space, 4414 W 2nd Street, Los Angeles, 90004, United States
Curated by Brandon Rolle and Nick Norton, this evening is dedicated to remembering beloved and pioneering algorithmic composer Clarence Barlow through his music and writings.
Clarence Albertson Barlow (also Klarenz; 27 December 1945 – 29 June 2023) was a British composer of classical and electroacoustic works. He was an academic teacher internationally, at the Royal Conservatory of The Hague from 1990 and at the University of California, Santa Barbara, from 2006, among others. He taught at the Darmstädter Ferienkurse from 1982 to 1994. — Wikipedia.org

ESML - Postgraduate Course in Applied Composition 2023-2024
2023-09-14 08:00 - 2023-09-30 17:00 (Europe/Lisbon)
Escola Superior de Música de Lisboa (ESML) is offering a Graduate Course in Applied Composition – 2023/2024. This is a postgraduate course in Applied Composition aims to provide up-to-date technical training in the field of music production, focused on the domains of experimentalism associated with the multiplicity of practices inherent in western contemporary classical music and the diversity of means of production that are inherent to it. During graduate school, students will have the opportunity to work with an internationally renowned faculty, with the Ensemble Recherche and the Aleph Guitar Quartet.
Deadline: September 30, 2023
For for information: https://esmlcomposition.blogspot.com/2023/09/esml-postgraduate-composition-2023-2024.html

Plantasia
2023-09-14 19:00 (America/New_York) | Green-Wood Cemetery, Main Entrance 500 25th St, Brooklyn, NY, 11232, United States
Pioneer Works and Sacred Bones Records pay tribute to Mort Garson‘s sought-after 1976 album Plantasia this September 14, 2023 at The Green-Wood Cemetery.

Rain date: Friday, September 15, 2023

Morton S. “Mort” Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth’s Plantasia, a 1976 Moog album designed to be played “for plants and the people who love them.” —Sacred Bones Records

Open Position for Music Technology/Computer Music
2023-10-12 08:00 - 2023-11-01 17:00 (America/New_York)
The University of Notre Dame is searching for a tenure-track position in Music Technology/Computer Music.
The ideal candidate will be an accomplished composer, sound artist, musical programmer, performer/improviser, or any combination of these, and an active specialist in digital/electronic media and contemporary music. The Department is especially interested in candidates with a diverse range of interests and experience with a variety of musical traditions, as well as an ability to design and oversee facilities for research and pedagogy in electronic and computer music.
For details: https://apply.interfolio.com/130880

Phill Niblock: The Movement of People Working
2023-10-21 21:00 - 2023-10-22 21:00 (America/New_York) | silent green, Gerichtstraße (Court Street) 35, Berlin, 13347, Germany
A 24 hour film-video-sound for the 90th birthday of Phill Niblock
8 projected films/videos from the series The Movement of People Working, with twenty live musicians playing pieces written for them, (or otherwise noted) composed by Phill Niblock, produced by Carsten Seiffarth of Singuhr.de
Musicians who will play live:
9pm / 2100
Deborah Walker (violoncello) Herbal Cooled 2
Biliana Voutchkova (violin) Unipolar Dance (Conrad Harris and Pauline Kim on Recording)
11pm / 2300
Natalia Pschenitschnikova (flute) Nataliawork
1am / 0100
Seth Josel (guitar) Sethwork
3am / 0300
Thomas Ankersmit (Serge Synthesizer) Surge 2 (UA)
5am / 0500
Nicola Hein (guitar) Poom (Stephen O’Malley on Recording)
7am / 0700
Anna Clementie and Phill Niblock (voice) Zound Delta I
9am / 0900
Robyn Schulkowsky (Percushion) Timps in E (Jan Williams on Recording)
11am / 2300
Lucio Capece & Katie Porter (bass clarinets) K&L for KL
3pm / 1500
Anna Clementi and Phill Niblock (voice) Zound Delta II
5pm / 1700
Lucy Railton (violoncello) Harm (Arne Defroce on Recording)
7pm / 1900
Jens Brand (motors) ExplMotors

MUSICACOUSTICA-HANGZHOU 2023
2023-10-24 08:00 - 2023-11-29 17:00 (Asia/Shanghai)
MUSICACOUSTICA-HANGZHOU 2023 will be held from October 24th to 29th at the Zhejiang Conservatory of Music.
MUSICACOUSTICA-Hangzhou is jointly organized by Zhejiang Conservatory of Music, The International Confederation of Electroacoustic Music, Electronic Music Association of China, and other organizations.
It brings together leading academics and artists from around the world, focusing on the cutting-edge technology and academic developments in the field of electronic music.
A series of vibrant events such as electronic music concerts showcasing diverse works, lecture series, electronic music composition competitions, research paper awards, the Electronic Music and Artificial Intelligence Summit, and the Electronic Music and Stage Arts Forum will take place at MUSICACOUSTICA-Hangzhou that will achieve the fusion of music, science and technology, the integration of academic frontiers and application practice, and the interaction between traditional culture and contemporary spirit.
Festival Artists: http://musicacoustica.zjcm.edu.cn/english/yyjfc/index.html
Check back for updates at MUSICACOUSTICA-Hangzhou https://musicacoustica.zjcm.edu.cn

Northeastern U – Assistant, Associate, or Full Professor – Generative AI and Sound Design/Conversation Design
2023-10-31 08:00 - 2023-12-03 17:00 (America/New_York)
Northeastern University’s College of Arts, Media and Design (CAMD) invites applications for open-rank (tenured or tenure-track) faculty positions in generative AI for creative applications in music, communications and design fields. We seek applicants with a record of innovation in the fields of Artificial Intelligence (AI) and machine learning (ML), a strong background in working with the algorithms and models pivotal to generative AI, and whose research engages critically and creatively with such fields. We are particularly interested in candidates in these specific areas:

Generative AI and Sound Design

Generative AI and Conversation Design

For details visit: https://northeastern.wd1.myworkdayjobs.com/careers/job/Boston-MA-Main-Campus/Assistant–Associate–or-Full-Professor—Generative-AI-and-Sound-Design-Conversation-Design_R120196

Bowdoin College - Assistant Professor of Digital Music
2023-11-01 08:00 - 2024-05-31 17:00 (America/New_York)
Bowdoin College’s Department of Music invites applications for a full-time tenure-track faculty appointment in computer music and digital media performance at the Assistant Professor level, beginning July 1, 2024. We seek candidates developing and deploying new techniques, instruments, and modes of creativity using digital and electronic media. The candidate should be a performer using technology and should have a critical orientation regarding the social and historical significance of music technology in a broad range of genres.
Faculty duties include developing and teaching courses at the undergraduate level, conducting research that can include performing and composing, advising students, and performing service to the College. The teaching load is two courses per semester, or three courses a year and direction of a computer music ensemble each semester. A PhD, DMA, MM or MFA degree in music technology, composition, performance, or a related field is expected by date of appointment.
NOTE:
Applications Accepted Until Filled
Job Start Date: 07/01/2024
Apply on the institution website:
https://careers.bowdoin.edu/postings/12903

TATTOO from Interior Designs
2023-11-16 20:15 (America/New_York) | Muziekcentrum Track Kortrijk, Conservatoriumplein 1, Kortrijk, 8500, Belgium
TATTOO from Interior Designs for mezzo-soprano, piano and electronic sound by Svjetlana BukvichSolissima‘Brilliant Belgian Singer’ Françoise Vanhecke, voice and keyboardsNovember 16 2023, 8:15PMMuziekcentrum Track KortrijkConservatoriumplein 1, 8500 Kortrijk, BelgiumTickets & Info

TATTOO from Interior Designs
2023-12-07 20:15 (Europe/Paris) | toitoiDROME, Zendelingenstraat 38, Borgerhout, Antwerp, 2140, Belgium
TATTOO from Interior Designs for mezzo-soprano, piano and electronic sound
Solissima
‘Brilliant Belgian Singer’ Françoise Vanhecke, voice and keyboards
December 7 2023, 8:15PM
toitoiDROME (Online, Streamed)
Zendelingenstraat 38, 2140 Borgerhout, Antwerp, Belgium
Tickets & Info

William Basinski, claire rousay & LEYA
2023-12-14 20:00 (America/New_York) | Pioneer Works, 159 Pioneer Street, Brooklyn, NY, 12231, United States
Critically acclaimed experimental ambient composer William Basinski brings his spirit of innovation to the Pioneer Works stage.
He is joined by Texas-based sound artist claire rousay and NYC harp and violin duo LEYA, who will perform a live collaboration.

Other Minds Festival 27
2024-04-08 20:00 (America/New_York)
Composers from five countries convened for the 27th Other Minds Festival, an international annual showcase for composers held at San Francisco’s Taube Atrium Theater November 15-18, 2023 and at Gray Area on November 14 and 19, 2023.
• Premiere of Subotnick: Portrait of an Electronic Music Pioneer, an official bio-documentary on revered avant-garde music composer Morton Subotnick directed by Robert Fantinatto.
• Swedish sound artist and composer Ellen Arkbro
• Improvised set by the American pianist and composer Craig Taborn
• Morton Subotnick performed As I Live & Breathe, video artist Lillevan
• Canadian-American composer Linda Bouchard
• Mary Kouyoumdjian’s They Will Take My Island, a string octet
• American premieres by leading Armenian composer and pianist Artur Avanesov performed by the composer with Recenia Quartet
• Works by American composer Carl Stone by Sarah Cahill, Paul Dresher, Ned Rothenberg, and Artur Avanesov
• Norwegian composer and polymath Eivind Buene
• Bora Yoon performed a multimedia set for live electronics, voice, and violin with visual collaborator Joshue Ott
• Neil Rolnick presented his monumental Lockdown Fantasies, a work for piano and electronics performed by Geoffrey Burleson
• Carl Stone‘s Re:gendo, live computer-based electronics with sounds distributed throughout the space with Akaihirume, Japanese singer as part of the performance
COMING UP:
April 8, 2024: Neil Rolnick – Lockdown Fantasies, a major work, in 5 movements, extending over 40 minutes. It chronicles the variety of my emotional states through the first couple of years of the pandemic: the fear and isolation we all felt, as well as some self discovery and new connections. One of the featured performances on Other Mind’s Vimeo channel: https://vimeo.com/914612679

ELECTROPHORIC
2024-04-18 19:00 - 21:00 (America/New_York) | Queensborough Performing Arts Center (QPAC), 222-05 56th Avenue Oakland Gardens, New York City, NY, 11364, United States
– an evening of electroacoustic works by Svjetlana Bukvich spanning two decades of music making. The concert features special guest artists ETHEL, string quartet, violinist Lavinia Pavlish, electric violinist-Viperist Susan Aquila, clarinetist Michiyo Suzuki, vocalist Philip Hamilton, and bassist Dan Cooper. Ellipse for string quartet and electronic sound will receive its American premiere performed by ETHEL and Svjetlana Bukvich on live electronics. The program also includes contemporary dance and video art.

WOODSTOCKHAUSEN 2024
2024-07-12 15:00 - 2024-07-14 13:00 (America/New_York) | The Turquoise Barn, 8052 County Highway 18, Bloomville, NY, 13739, United States
Woodstockhausen—9th edition. Two nights of camping and multi-concert festival of live electronic music and experimental performance, Friday evening, July 12 to Sunday morning, July 14, 2024. in the Western Catskills.
This year’s Woodstockhausen, a full weekend of experimental music, synesthetic video and performance in Bloomville in the
Catskill Mountains of NY. So many great performances to see / hear throughout the weekend. For more information, go to woodstockhausen.net.
