BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//EMF Institute - ECPv6.16.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:EMF Institute
X-ORIGINAL-URL:https://emfinstitute.org
X-WR-CALDESC:Events for EMF Institute
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:Europe/Athens
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20211031T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20231029T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:Europe/Paris
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:19690101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220412T200000
DTEND;TZID=America/New_York:20220412T220000
DTSTAMP:20260521T235404
CREATED:20220402T180948Z
LAST-MODIFIED:20221122T192428Z
UID:10000056-1649793600-1649800800@emfinstitute.org
SUMMARY:USA: Public Domain by the Miller II Phelps Duo
DESCRIPTION:Brightwork New Music is so excited to present Public Domain by the Miller II Phelps Duo\, a show that was originally scheduled for Spring 2020. Alexander Elliott Miller & Ben Phelps present new works for electric guitar\, percussion and electronics\, exploring issues of public domain\, quotation\, sampling and AI-generated content. The program includes newly commissioned works by composers Hitomi Oba\, Ian Dicke\, Sarah Gibson and Cristina Lord in addition to Miller and Phelps’ own music. \n$25 General Admission\n$15 Students/Seniors/Artists experiencing financial hardship due to Covid\nPlease bring proof of vaccination + booster and wear a mask inside the theater. \nYou don’t want to miss this evening of world premieres! \nTickets: https://www.brownpapertickets.com/event/5406501
URL:https://emfinstitute.org/event/public-domain-by-the-miller-ii-phelps-duo/
LOCATION:Monk Space\, 4414 W 2nd Street\, Los Angeles\, 90004\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/04/public-domain-monkspace.jpg
ORGANIZER;CN="Brightwork newmusic":MAILTO:info@brightworknewmusic.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Athens:20220410T203000
DTEND;TZID=Europe/Athens:20220410T224500
DTSTAMP:20260521T235404
CREATED:20220312T192646Z
LAST-MODIFIED:20221122T192447Z
UID:10000058-1649622600-1649630700@emfinstitute.org
SUMMARY:Greece: Iannis Xenakis: Pleiades & Persephassa
DESCRIPTION:It has been said on several occasions that\, thanks to percussion\, Xenakis reintroduced the problem of rhythm which we thought had disappeared from contemporary music. Architect\, engineer and composer\, this giant of composition writes music whose complex and harmonious structure constitutes a paradox with the explosive energy that is extracted from it. \nFrom the close collaboration of Xenakis with the Percussions de Strasbourg were born\, ten years apart\, two fundamental works: Persephassa in 1969 and Pléiades in 1979. The first\, working on the spatialization of sound\, is a sound choreography. The second is one of the composer’s finest pieces. The richness of the timbres\, the freedom and the coherence of the composition make this work a unique rhythmic adventure. \nIn 2022\, Les Percussions de Strasbourg will celebrate both the composer’s centenary and the ensemble’s sixty years. \nPROGRAM\nIannis XENAKIS – Pléiades (1979) 45 ′\nintermission\nIannis XENAKIS – Persephassa (1969) 35 ′
URL:https://emfinstitute.org/event/iannis-xenakis-pleiades-persephassa/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/03/Κρουστά-του-Στρασβούργου-©-Vincent-Arbelet.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220406T200000
DTEND;TZID=America/New_York:20220406T220000
DTSTAMP:20260521T235404
CREATED:20220317T001204Z
LAST-MODIFIED:20221122T192510Z
UID:10000055-1649275200-1649282400@emfinstitute.org
SUMMARY:USA: Yvonne Rainer’s "Remembering And Dismembering Trio A" With Brittany Bailey / David Behrman’s "Open Space With Brass" With Ed Bear & Ensemble
DESCRIPTION:ISSUE & The Clemente present an evening of pioneering work from choreographer and filmmaker Yvonne Rainer and composer David Behrman. Highlighting the artists’ work interpreted and presented by a new generation of artists\, the evening features choreographer and performer Brittany Bailey performing Remembering and Dismembering Trio A (1966 – 2020)\, with excerpts from Peter Schjeldahl’s “77 Sunset Me.” \nThe program also features David Behrman’s Open Space with Brass\, performed by Ed Bear and an ensemble under the direction of Chris McIntyre. The piece was originally commissioned for the final performances of the Merce Cunningham Dance Company (performed with TILT Brass) at the Park Avenue Armory in December\, 2011. \n… \nDavid Behrman’s Open Space with Brass follows in the tradition of electroacoustic sound supported throughout the history of Merce Cunningham Dance Company. The piece also refers to the antiphonal music that Giovanni Gabrieli created for the Basilica di San Marco in Venice at the turn of the 17th Century. Gabrieli’s work made such specific use of the cathedral’s acoustics that groups of brass instruments situated in opposing choir lofts could be heard with clarity at distant points. Interactive music software\, originally made for the site-specific 15-channel sound system that was in use at the Park Avenue Armory\, linked the acoustic and electronic elements of Open Space: a 6-piece ensemble of trumpets and trombones filling the enormous Armory Drill Hall space with live and digitally processed sound. Behrman has recently reorganized elements of this software to be more accessible for other musicians to play. Ed Bear\, who returns to ISSUE after an ambitious re-staging of John Cage’s Variations VII in 2016\, manipulates the software\, while trombonist Chris McIntyre leads an ensemble of cello (Aliya Ultan)\, bass clarinet (Madison Greenstone)\, and trumpet (Alexandria Smith). \nThe evening will conclude with a Q&A with Yvonne Rainer & David Behrman moderated by Chris McIntyre. They will discuss the history\, transition\, and legacy of their work as well as the process of teaching\, learning\, and presenting the pieces.
URL:https://emfinstitute.org/event/yvonne-rainers-remembering-and-dismembering-trio-a-with-brittany-bailey-david-behrmans-open-space-with-brass-with-ed-bear-ensemble/
LOCATION:The Flamboyán Theater at The Clemente Center\, 07 Suffolk St\, New York\, NY\, 10002\, United States
CATEGORIES:Dance,Performance
ATTACH;FMTTYPE=image/jpeg:https://emfinstitute.org/wp-content/uploads/2022/03/Trio-A-1600x900-c-default.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220325T210000
DTEND;TZID=America/New_York:20220325T220000
DTSTAMP:20260521T235404
CREATED:20220316T121815Z
LAST-MODIFIED:20221122T192525Z
UID:10000054-1648242000-1648245600@emfinstitute.org
SUMMARY:JAPAN & USA: Virtual events at EI : Ulrich Krieger and Carl Stone (LA\, LA and Japan)
DESCRIPTION:Ulrich Krieger (winds) and Carl Stone (computer) triangulate with EI from California and Tokyo\, as they lob the musical data back and forth over the uncharted depths of the information highways\, recursively and relentlessly processing each other. \nhttps://www.rlsto.net/Nooz/ \nhttp://www.ulrich-krieger.com
URL:https://emfinstitute.org/event/virtual-events-at-ei-ulrich-krieger-and-carl-stone-la-la-and-japan/
LOCATION:Experimental Intermedia\, 224 Centre Street at Grand\, Third Floor\, New York\, NY\, 10013\, United States
CATEGORIES:Online Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220324T210000
DTEND;TZID=America/New_York:20220324T220000
DTSTAMP:20260521T235404
CREATED:20220316T121447Z
LAST-MODIFIED:20221122T192543Z
UID:10000017-1648155600-1648159200@emfinstitute.org
SUMMARY:Australia: Virtual events at EI : Warren Burt
DESCRIPTION:Nine Pieces from 2020 (57 minutes) –  Nine video and electronic sound pieces made with VCV Rack as real-time performances; all nine pieces use chaos mathematics in some form or another. \nwww.warrenburt.com \n 
URL:https://emfinstitute.org/event/virtual-events-at-ei-warren-burt-australia/
LOCATION:Experimental Intermedia\, 224 Centre Street at Grand\, Third Floor\, New York\, NY\, 10013\, United States
CATEGORIES:Online Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220317T190000
DTEND;TZID=America/New_York:20220317T220000
DTSTAMP:20260521T235404
CREATED:20220316T120948Z
LAST-MODIFIED:20221122T192621Z
UID:10000060-1647543600-1647554400@emfinstitute.org
SUMMARY:USA: “Sea Gestures: Sound Swim”
DESCRIPTION:Liz Phillips  (New York)  \nShe will live process with Heidi Howard’s gestures as she paints\, Liz picks up sounds from fish in motion and shell textures. \nLizphillips.net \nhttp://lizphillips.net/w/?page_id=3 \nhttps://heidihoward.net/ \n169 Bowery\, live in person and streamed on Vimeo\, 7pm EDT \n 
URL:https://emfinstitute.org/event/sea-gestures-sound-swim/
LOCATION:Fridman Gallery\, 169 Bowery\, New York\, NY\, 10002
CATEGORIES:Online Event,Performance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:19700101T080000
DTEND;TZID=Europe/Paris:19700101T170000
DTSTAMP:20260521T235404
CREATED:20231016T213033Z
LAST-MODIFIED:20231016T213546Z
UID:10001494-28800-61200@emfinstitute.org
SUMMARY:TATTOO from Interior Designs
DESCRIPTION:TATTOO from Interior Designs for mezzo-soprano\, piano and electronic sound by Svjetlana Bukvich\nSolissima\n‘Brilliant Belgian Singer’ Françoise Vanhecke\, voice and keyboards\nDecember 7 2023\, 8:15PM\nZendelingenstraat 38\n2140 Borgerhout\, Antwerp\, Belgium\nTickets & Info
URL:https://emfinstitute.org/event/tattoo-from-interior-designs-2/1970-01-01/2/
LOCATION:toitoiDROME\, Zendelingenstraat 38\, Borgerhout\, Antwerp\, 2140\, Belgium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260521T235404
DTEND;TZID=Europe/Paris:20260521T235404
DTSTAMP:20260521T235404
CREATED:20231016T213033Z
LAST-MODIFIED:20231016T213546Z
UID:10001493-0-0@emfinstitute.org
SUMMARY:TATTOO from Interior Designs
DESCRIPTION:TATTOO from Interior Designs for mezzo-soprano\, piano and electronic sound by Svjetlana Bukvich\nSolissima\n‘Brilliant Belgian Singer’ Françoise Vanhecke\, voice and keyboards\nDecember 7 2023\, 8:15PM\nZendelingenstraat 38\n2140 Borgerhout\, Antwerp\, Belgium\nTickets & Info
URL:https://emfinstitute.org/event/tattoo-from-interior-designs-2/1970-01-01/1/
LOCATION:toitoiDROME\, Zendelingenstraat 38\, Borgerhout\, Antwerp\, 2140\, Belgium
END:VEVENT
END:VCALENDAR