The Emergence of Interactive Music: The Vision and Presence of Joel Chadabe

Emergence of Interactivity

Chadabe witnessed all this as he became attracted to electronic music, just before he returned to the United States to be hired that same year by the State University of New York at Albany (SUNY Albany). The school asked Chadabe to set up a studio, and he turned to Moog, who worked in Trumansburg, New York. Progressively , with the help of successive grants, he and Moog built the largest ensemble of Moog modules, which he then called the Coordinated Electronic Music Studio (CEMS) [7]. He described the project as a “new approach to analog-studio design” [8].
Link to full article: https://muse.jhu.edu/article/840453

The Emergence of Interactive Music: The Vision and Presence of Joel Chadabe
Author: Marc Battier
Publication: Leonardo
Publisher: The MIT Press